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地理位置

融(rong)寧(ning)宮(gong)(gong)位于堤(di)村鄉干河村，因廟宇(yu)建筑正(zheng)對凈石山(shan)，又稱凈石宮(gong)(gong)。現(xian)存(cun)建筑為明中(zhong)后期(qi)遺構，占地約5畝余，山(shan)門，融(rong)寧(ning)宮(gong)(gong)同在中(zhong)軸線上，左(zuo)右各有(you)配殿(dian)、耳殿(dian)、建筑結構疏(shu)密得當(dang)，布(bu)局精巧，主次分(fen)明。

建筑結構

山門

建在宮院正南，兩側磚砌(qi)起墻，上以木板平覆，木構戲臺于(yu)其上，十字歇山式，琉(liu)璃瓦(wa)覆頂(ding)。當地稱作“八卦懸頂(ding)”。

大殿

進(jin)入山門(men)便可看到雄偉(wei)的(de)大(da)殿(dian)——融寧宮(gong)，大(da)殿(dian)建在(zai)高0.3米的(de)磚(zhuan)砌(qi)臺(tai)基(ji)上。大(da)殿(dian)面闊(kuo)三(san)間，進(jin)深六椽，懸山頂(ding)，覆(fu)以布瓦。殿(dian)額題(ti)匾“融寧宮(gong)”，“融”有作久(jiu)遠(yuan)解，放映出人們對平定安和(he)環境的(de)熱愛與期盼。

殿門

殿門格扇式。

神像

殿內供奉玄天(tian)(tian)上(shang)帝(di)，玄天(tian)(tian)上(shang)帝(di)，又稱真武(wu)(wu)大(da)帝(di)，為(wei)(wei)道教(jiao)中(zhong)主(zhu)宰北方的大(da)神。神像披發仗劍端(duan)坐于須彌座上(shang)。傳說真武(wu)(wu)大(da)帝(di)曾助周武(wu)(wu)王(wang)伐(fa)紂有功，玉帝(di)冊封(feng)為(wei)(wei)玄武(wu)(wu)，加號“太上(shang)紫皇天(tian)(tian)一真人”。宋(song)真宗(zong)大(da)中(zhong)祥符年間，尊為(wei)(wei)“鎮天(tian)(tian)真武(wu)(wu)靈應武(wu)(wu)玄天(tian)(tian)上(shang)帝(di)”。明代(dai)張三豐(feng)創立的武(wu)(wu)當派道教(jiao)崇祀真武(wu)(wu)，以真武(wu)(wu)為(wei)(wei)祖師(shi)，后(hou)人又稱真武(wu)(wu)大(da)帝(di)為(wei)(wei)“玄天(tian)(tian)祖師(shi)”。

大(da)殿(dian)真武像(xiang)上懸(xuan)(xuan)塑(su)(su)(su)天(tian)宮樓(lou)閣，許多姿態(tai)各異的(de)天(tian)神(shen)出沒(mei)于云霧(wu)間，懸(xuan)(xuan)塑(su)(su)(su)分(fen)做(zuo)上下兩部分(fen)，頂部彩塑(su)(su)(su)樓(lou)閣三(san)所，正中(zhong)垂檐(yan)歇山頂，底層出抱廈，內奉元(yuan)始(shi)天(tian)尊，左右有(you)天(tian)神(shen)持戈怒立。左為(wei)(wei)靈寶天(tian)尊，右為(wei)(wei)道(dao)德天(tian)尊。道(dao)家意想中(zhong)的(de)神(shen)圣天(tian)堂，在民間匠(jiang)人的(de)手下表現得至高無上。二層懸(xuan)(xuan)塑(su)(su)(su)多為(wei)(wei)神(shen)仙官吏。玄天(tian)大(da)帝(di)(di)兩側塑(su)(su)(su)有(you)周公和(he)桃(tao)花女(nv)。傳說(shuo)周公、桃(tao)花被(bei)玄天(tian)大(da)帝(di)(di)收服(fu)后，封為(wei)(wei)元(yuan)帥，在帝(di)(di)座(zuo)前效力。左右檐(yan)柱盤龍怒張(zhang)。須彌座(zuo)前塑(su)(su)(su)有(you)龜、蛇二將。神(shen)像(xiang)背后彩塑(su)(su)(su)龍霧(wu)花卉，祥云縈繞，金碧輝煌，彩塑(su)(su)(su)人物(wu)大(da)約(yue)十幾公分(fen)，但神(shen)情并肖，栩(xu)栩(xu)如生。

壁畫

殿(dian)左右(you)及后山墻滿繪壁畫，約(yue)用傳統的(de)勾線填色法完成。

東西山(shan)墻形(xing)如現代環畫(hua)(hua)形(xing)式(shi)，采用傳統的(de)(de)散點透視(shi)法繪(hui)有(you)(you)(you)玄(xuan)天(tian)大(da)帝(di)(di)八十二(er)化。形(xing)象地表(biao)現了玄(xuan)天(tian)大(da)帝(di)(di)從“夢中(zhong)月”始到“天(tian)帝(di)(di)賜劍(jian)”、“翻(fan)山(shan)裂(lie)石(shi)(shi)”、“武當鎮帥”……直(zhi)到受(shou)封‘玄(xuan)天(tian)上(shang)帝(di)(di)’的(de)(de)整部情節。畫(hua)(hua)法精細工(gong)致，用筆遒勁，線條簡(jian)潔有(you)(you)(you)力，中(zhong)間襯景有(you)(you)(you)山(shan)水，古樹(shu)，宮院等，點染(ran)皴擦，一(yi)絲不茍，人(ren)物(wu)面部、衣(yi)襯、樹(shu)干及(ji)葉多以渲染(ran)法分陰陽。增(zeng)強了畫(hua)(hua)面的(de)(de)表(biao)現效果，西壁(bi)頂有(you)(you)(you)墨書題記，為(wei)石(shi)(shi)明里丹青(qing)楊成(cheng)廉，攜其弟及(ji)子(zi)楊萃，和學徒(tu)某完成(cheng)，時間為(wei)清順治五(wu)年閏四月。后(hou)墻神像左右壁(bi)上(shang)繪(hui)有(you)(you)(you)威風凜(lin)凜(lin)的(de)(de)天(tian)神征戰圖，人(ren)物(wu)均等如真人(ren)，線條勾勒粗獷有(you)(you)(you)力，須發怒張間，仿(fang)佛有(you)(you)(you)排山(shan)倒海之勢。神龕側(ce)面繪(hui)有(you)(you)(you)獻(xian)花神像，衣(yi)紋流暢生動。色調明快亮麗。

融(rong)寧(ning)宮壁(bi)畫設色(se)對比明(ming)顯(xian)，因多采用礦(kuang)物(wu)顏料，至今仍光(guang)彩(cai)人，傳(chuan)統(tong)武(wu)士的(de)(de)“蜂(feng)腰(yao)”、“豹肩”在畫家筆下表(biao)現得(de)尤為(wei)生動(dong)，滿(man)壁(bi)流光(guang)溢彩(cai)，直奪天工。學(xue)者把芮城(cheng)永(yong)樂宮、廣勝寺(si)水(shui)神廟、融(rong)寧(ning)宮的(de)(de)壁(bi)畫分別定為(wei)晉(jin)南元、明(ming)、清三個時期的(de)(de)代表(biao)作。足見它的(de)(de)藝術(shu)價值(zhi)與(yu)學(xue)術(shu)價值(zhi)百(bai)同(tong)凡響。

東西配殿

融(rong)(rong)寧宮(gong)(gong)東(dong)(dong)西配(pei)殿(dian)(dian)建(jian)成(cheng)3間(jian)2層(ceng)(ceng)樓閣(ge)式，2層(ceng)(ceng)出檐，圍以欄桿，傳(chuan)(chuan)為(wei)舊時(shi)婦(fu)女(nv)看戲(xi)之(zhi)所，底層(ceng)(ceng)則(ze)為(wei)男(nan)性觀戲(xi)場(chang)地(di)。在(zai)封(feng)建(jian)社會(hui)，男(nan)女(nv)有(you)(you)別(bie)，社會(hui)風俗嚴厲，在(zai)建(jian)筑上(shang)反(fan)映得更為(wei)明顯。配(pei)殿(dian)(dian)北(bei)(bei)側，各(ge)建(jian)耳殿(dian)(dian)一(yi)間(jian)，分別(bie)供奉(feng)黑虎、龍(long)(long)(long)王(wang)(wang)(wang)二神(shen)。東(dong)(dong)耳殿(dian)(dian)旁有(you)(you)小便(bian)門(men)通(tong)(tong)往殿(dian)(dian)東(dong)(dong)過道，傳(chuan)(chuan)為(wei)舊時(shi)婦(fu)女(nv)進廟之(zhi)處。東(dong)(dong)配(pei)殿(dian)(dian)南(nan)側開一(yi)東(dong)(dong)向大(da)門(men)，門(men)額題朝圣門(men)，出門(men)有(you)(you)南(nan)北(bei)(bei)長30余米(mi)，寬5米(mi)的磚漫(man)通(tong)(tong)道，由此(ci)而北(bei)(bei)，盡(jin)頭有(you)(you)大(da)門(men)可出宮(gong)(gong)院，大(da)門(men)額書“凈(jing)石(shi)(shi)(shi)宮(gong)(gong)”，懸(xuan)山(shan)式建(jian)筑。附(fu)：干河(he)(he)“凈(jing)石(shi)(shi)(shi)宮(gong)(gong)” 堤村(cun)干河(he)(he)村(cun)，古稱“水(shui)潤里”。地(di)當(dang)洪、霍、汾(fen)(fen)三(san)縣(xian)交通(tong)(tong)要沖，自古以來，車(che)輛運(yun)輸，四通(tong)(tong)八達。村(cun)西“凈(jing)石(shi)(shi)(shi)宮(gong)(gong)”東(dong)(dong)臨汾(fen)(fen)河(he)(he)，西倚呂梁；“碑林”、“藝苑”分陳兩廊；殿(dian)(dian)宇輝煌，古柏(bo)參(can)開，雕(diao)塑(su)壁畫，馳(chi)名(ming)遐(xia)邇。 主(zhu)殿(dian)(dian)“融(rong)(rong)寧宮(gong)(gong)”，中塑(su)“玄天大(da)師”，赤臉金身，威風凜凜；儀(yi)表非凡，栩栩如(ru)生(sheng)。兩邊楹(ying)聯為(wei)：“七世太子不(bu)愿皇宮(gong)(gong)享寶貴，八輩(bei)狀元但(dan)求武(wu)當(dang)養性心(xin)。”宮(gong)(gong)仆峰(feng)(feng)環抱(bao)，懸(xuan)空(kong)柏(bo)出石(shi)(shi)(shi)隙；山(shan)水(shui)明媚，樹木參(can)差；四時(shi)百(bai)鳥爭鳴，八節野花(hua)不(bu)斷，真乃錦銹江山(shan)，畫圖世界，過往游(you)人(ren)(ren)，無不(bu)嘆為(wei)觀止。尤其游(you)人(ren)(ren)注目的是，宮(gong)(gong)門(men)外通(tong)(tong)往平垣之(zhi)東(dong)(dong)西道旁，雙峰(feng)(feng)對崎，太陽當(dang)空(kong)人(ren)(ren)無影(ying)；巒(luan)封(feng)路心(xin)，雷鳴電閃云(yun)(yun)無著(zhu)。似(si)此(ci)奇(qi)境，實屬罕見。為(wei)方便(bian)游(you)人(ren)(ren)登(deng)峰(feng)(feng)眺望。免除往年繞山(shan)越(yue)嶺之(zhi)苦(ku)，1993年經村(cun)民及外出工作人(ren)(ren)員集資，新建(jian)一(yi)橋上(shang)達龍(long)(long)(long)王(wang)(wang)(wang)峰(feng)(feng)，下通(tong)(tong)“融(rong)(rong)寧宮(gong)(gong)”。故取(qu)名(ming)曰(yue)“龍(long)(long)(long)宮(gong)(gong)橋”。 “欲窮(qiong)千里目，更上(shang)高(gao)山(shan)峰(feng)(feng)”。沿“龍(long)(long)(long)宮(gong)(gong)橋”攀(pan)登(deng)六十(shi)九(jiu)個臺階(jie)，即達山(shan)腰“龍(long)(long)(long)王(wang)(wang)(wang)亭(ting)”。傳(chuan)(chuan)言(yan)：“龍(long)(long)(long)者能(neng)興云(yun)(yun)雨(yu)，利(li)萬(wan)物”。故在(zai)若(ruo)干年前(qian)(qian)，我們的祖(zu)先，每逢天旱之(zhi)年，祈求“龍(long)(long)(long)王(wang)(wang)(wang)爺”作云(yun)(yun)下雨(yu)，霖雨(yu)蒼生(sheng)，人(ren)(ren)壽年豐(feng)，曾在(zai)山(shan)巔建(jian)有(you)(you)“龍(long)(long)(long)王(wang)(wang)(wang)廟”（因年久塌毀，現已在(zai)存）稱此(ci)山(shan)為(wei)“龍(long)(long)(long)王(wang)(wang)(wang)峰(feng)(feng)”。 沿“龍(long)(long)(long)王(wang)(wang)(wang)亭(ting)”徐徐而上(shang)，登(deng)峰(feng)(feng)環繞，四望無跡。遠近景物，盡(jin)收眼(yan)底。仰觀霍山(shan)，密木蔥蔥；俯(fu)視汾(fen)(fen)河(he)(he)，流(liu)水(shui)潺潺；南(nan)同(tong)蒲與大(da)運(yun)公路交錯，車(che)馳(chi)如(ru)梭；汾(fen)(fen)河(he)(he)水(shui)同(tong)“七一(yi)渠”并流(liu)，縱(zong)橫灌溉，真可謂“江山(shan)如(ru)此(ci)多嬌”、“風景這(zhe)邊獨好(hao)”。難怪游(you)人(ren)(ren)至此(ci)，無不(bu)心(xin)曠(kuang)神(shen)怡，流(liu)連忘(wang)返。加以宮(gong)(gong)前(qian)(qian)有(you)(you)廣場(chang)，宮(gong)(gong)后有(you)(you)水(shui)泉(quan)。加建(jian)造(zao)園(yuan)林，開旅游(you)勝(sheng)地(di)，實具有(you)(you)得天獨厚之(zhi)天然優勢。 如(ru)果(guo)說(shuo)：“飛虹塔”、“古大(da)槐(huai)”、“蘇三(san)監獄”為(wei)我縣(xian)三(san)大(da)名(ming)勝(sheng)古跡，則(ze)將(jiang)“凈(jing)石(shi)(shi)(shi)宮(gong)(gong)”辟成(cheng)旅游(you)區，不(bu)啻為(wei)洪洞“又(you)添一(yi)絕(jue)”。