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地理位置

融(rong)寧宮位于堤村鄉干河村，因廟宇建筑(zhu)正(zheng)對(dui)凈石(shi)山，又稱凈石(shi)宮。現存建筑(zhu)為明中(zhong)后期(qi)遺構，占(zhan)地約5畝余(yu)，山門，融(rong)寧宮同在中(zhong)軸線上，左右各有配殿、耳(er)殿、建筑(zhu)結構疏(shu)密得當(dang)，布局精巧，主次分明。

建筑結構

山門

建(jian)在宮院正(zheng)南，兩(liang)側磚砌起(qi)墻，上以木(mu)板平覆，木(mu)構戲(xi)臺(tai)于(yu)其上，十字(zi)歇(xie)山式，琉璃瓦覆頂。當地稱作(zuo)“八卦懸(xuan)頂”。

大殿

進(jin)(jin)入山門便可看(kan)到雄偉的大殿——融寧宮(gong)，大殿建(jian)在(zai)高(gao)0.3米的磚砌(qi)臺基上(shang)。大殿面闊三(san)間，進(jin)(jin)深六椽，懸山頂，覆以(yi)布瓦。殿額(e)題(ti)匾(bian)“融寧宮(gong)”，“融”有(you)作久遠解，放映出(chu)人(ren)們(men)對(dui)平定安和環境的熱愛與期盼(pan)。

殿門

殿門格扇式。

神像

殿內供奉玄(xuan)(xuan)天(tian)(tian)上(shang)帝(di)(di)(di)，玄(xuan)(xuan)天(tian)(tian)上(shang)帝(di)(di)(di)，又(you)稱真(zhen)武(wu)(wu)(wu)(wu)大帝(di)(di)(di)，為道(dao)教中主宰(zai)北方的(de)大神。神像披(pi)發仗劍端(duan)坐(zuo)于須彌座上(shang)。傳說(shuo)真(zhen)武(wu)(wu)(wu)(wu)大帝(di)(di)(di)曾助周武(wu)(wu)(wu)(wu)王伐紂有功，玉帝(di)(di)(di)冊(ce)封為玄(xuan)(xuan)武(wu)(wu)(wu)(wu)，加號“太上(shang)紫皇天(tian)(tian)一真(zhen)人”。宋真(zhen)宗(zong)大中祥符(fu)年間，尊為“鎮天(tian)(tian)真(zhen)武(wu)(wu)(wu)(wu)靈應(ying)武(wu)(wu)(wu)(wu)玄(xuan)(xuan)天(tian)(tian)上(shang)帝(di)(di)(di)”。明代張三豐創(chuang)立的(de)武(wu)(wu)(wu)(wu)當派(pai)道(dao)教崇祀真(zhen)武(wu)(wu)(wu)(wu)，以真(zhen)武(wu)(wu)(wu)(wu)為祖(zu)師(shi)，后人又(you)稱真(zhen)武(wu)(wu)(wu)(wu)大帝(di)(di)(di)為“玄(xuan)(xuan)天(tian)(tian)祖(zu)師(shi)”。

大(da)殿真(zhen)武像上(shang)懸塑(su)(su)天(tian)(tian)(tian)宮樓閣，許多姿態各異的天(tian)(tian)(tian)神(shen)出沒于云霧間，懸塑(su)(su)分(fen)做上(shang)下(xia)(xia)兩部(bu)分(fen)，頂部(bu)彩塑(su)(su)樓閣三所，正中垂(chui)檐歇山頂，底(di)層出抱(bao)廈，內(nei)奉元(yuan)始(shi)天(tian)(tian)(tian)尊(zun)，左(zuo)右(you)有天(tian)(tian)(tian)神(shen)持戈怒(nu)立(li)。左(zuo)為(wei)靈寶天(tian)(tian)(tian)尊(zun)，右(you)為(wei)道(dao)德天(tian)(tian)(tian)尊(zun)。道(dao)家意想中的神(shen)圣天(tian)(tian)(tian)堂，在(zai)民間匠人的手下(xia)(xia)表現得至高無上(shang)。二層懸塑(su)(su)多為(wei)神(shen)仙官吏。玄天(tian)(tian)(tian)大(da)帝(di)兩側塑(su)(su)有周公(gong)和桃花女。傳說(shuo)周公(gong)、桃花被玄天(tian)(tian)(tian)大(da)帝(di)收服后，封為(wei)元(yuan)帥(shuai)，在(zai)帝(di)座前效力(li)。左(zuo)右(you)檐柱盤龍怒(nu)張。須彌座前塑(su)(su)有龜(gui)、蛇二將。神(shen)像背后彩塑(su)(su)龍霧花卉，祥云縈繞，金碧輝煌，彩塑(su)(su)人物大(da)約十幾公(gong)分(fen)，但神(shen)情(qing)并肖，栩(xu)栩(xu)如生。

壁畫

殿左右(you)及后山(shan)墻滿繪(hui)壁畫，約(yue)用傳(chuan)統的勾(gou)線填色法完成。

東西山(shan)墻形如現(xian)代環畫(hua)形式，采(cai)用(yong)傳統的散點(dian)透(tou)視(shi)法(fa)(fa)繪(hui)有(you)(you)(you)玄天大(da)帝(di)八十二化。形象地表(biao)現(xian)了玄天大(da)帝(di)從“夢中月(yue)(yue)”始到(dao)“天帝(di)賜(si)劍”、“翻山(shan)裂石”、“武當(dang)鎮帥”……直到(dao)受封‘玄天上(shang)帝(di)’的整部情節。畫(hua)法(fa)(fa)精細工(gong)致，用(yong)筆遒(qiu)勁，線條簡潔(jie)有(you)(you)(you)力，中間襯景有(you)(you)(you)山(shan)水，古樹，宮院等(deng)，點(dian)染皴(cun)擦，一絲不(bu)茍，人(ren)物(wu)面部、衣(yi)襯、樹干(gan)及葉(xie)多(duo)以渲染法(fa)(fa)分陰陽。增(zeng)強了畫(hua)面的表(biao)現(xian)效果，西壁(bi)頂有(you)(you)(you)墨書題記，為(wei)石明里丹(dan)青楊成(cheng)廉，攜(xie)其弟及子(zi)楊萃(cui)，和學徒某完成(cheng)，時間為(wei)清順治五年閏四月(yue)(yue)。后墻神像左右(you)壁(bi)上(shang)繪(hui)有(you)(you)(you)威(wei)風凜(lin)(lin)凜(lin)(lin)的天神征(zheng)戰(zhan)圖(tu)，人(ren)物(wu)均等(deng)如真(zhen)人(ren)，線條勾勒(le)粗獷有(you)(you)(you)力，須發(fa)怒張間，仿佛(fo)有(you)(you)(you)排山(shan)倒(dao)海(hai)之勢(shi)。神龕側面繪(hui)有(you)(you)(you)獻花(hua)神像，衣(yi)紋流(liu)暢(chang)生動。色調明快(kuai)亮麗。

融寧(ning)宮壁畫(hua)(hua)設色對比明(ming)顯，因多采用礦物顏(yan)料，至今仍光(guang)(guang)彩人，傳(chuan)統武(wu)士的“蜂(feng)腰”、“豹肩”在(zai)畫(hua)(hua)家筆下(xia)表現得尤(you)為生動，滿壁流光(guang)(guang)溢彩，直奪天工。學(xue)者(zhe)把芮城永樂(le)宮、廣勝寺水(shui)神廟、融寧(ning)宮的壁畫(hua)(hua)分別定為晉南(nan)元、明(ming)、清三個時期的代(dai)表作。足(zu)見它的藝術價值與(yu)學(xue)術價值百同凡響。

東西配殿

融寧宮(gong)(gong)(gong)(gong)(gong)(gong)東(dong)西(xi)(xi)配(pei)殿建成(cheng)3間2層樓閣式(shi)，2層出(chu)檐，圍以(yi)欄桿，傳(chuan)為(wei)(wei)(wei)舊時(shi)婦女看(kan)戲(xi)之(zhi)(zhi)(zhi)所，底層則(ze)為(wei)(wei)(wei)男性觀(guan)戲(xi)場(chang)地。在(zai)(zai)封建社會，男女有(you)(you)別，社會風俗嚴厲，在(zai)(zai)建筑上(shang)反映得更(geng)為(wei)(wei)(wei)明(ming)顯。配(pei)殿北(bei)側(ce)，各建耳(er)殿一(yi)間，分(fen)別供奉(feng)黑虎、龍(long)(long)(long)王(wang)二神(shen)。東(dong)耳(er)殿旁有(you)(you)小便(bian)門(men)(men)通(tong)往殿東(dong)過道，傳(chuan)為(wei)(wei)(wei)舊時(shi)婦女進廟(miao)(miao)之(zhi)(zhi)(zhi)處。東(dong)配(pei)殿南側(ce)開一(yi)東(dong)向大(da)門(men)(men)，門(men)(men)額(e)(e)題朝(chao)圣門(men)(men)，出(chu)門(men)(men)有(you)(you)南北(bei)長30余米(mi)，寬5米(mi)的(de)磚(zhuan)漫通(tong)道，由此(ci)(ci)而北(bei)，盡頭有(you)(you)大(da)門(men)(men)可(ke)(ke)出(chu)宮(gong)(gong)(gong)(gong)(gong)(gong)院，大(da)門(men)(men)額(e)(e)書(shu)“凈(jing)(jing)石(shi)(shi)宮(gong)(gong)(gong)(gong)(gong)(gong)”，懸山式(shi)建筑。附：干(gan)(gan)河(he)(he)“凈(jing)(jing)石(shi)(shi)宮(gong)(gong)(gong)(gong)(gong)(gong)” 堤(di)村(cun)干(gan)(gan)河(he)(he)村(cun)，古(gu)(gu)稱(cheng)(cheng)“水潤里”。地當洪、霍(huo)、汾(fen)三(san)(san)縣(xian)交通(tong)要(yao)沖，自古(gu)(gu)以(yi)來，車輛運(yun)輸，四(si)通(tong)八(ba)達(da)。村(cun)西(xi)(xi)“凈(jing)(jing)石(shi)(shi)宮(gong)(gong)(gong)(gong)(gong)(gong)”東(dong)臨汾(fen)河(he)(he)，西(xi)(xi)倚呂梁(liang)；“碑林”、“藝苑”分(fen)陳兩廊；殿宇輝煌，古(gu)(gu)柏參(can)開，雕塑壁(bi)畫，馳(chi)名遐(xia)邇(er)。 主(zhu)殿“融寧宮(gong)(gong)(gong)(gong)(gong)(gong)”，中(zhong)塑“玄天(tian)大(da)師”，赤臉(lian)金身，威(wei)風凜凜；儀表非凡，栩栩如生。兩邊楹聯(lian)為(wei)(wei)(wei)：“七世太(tai)子(zi)不愿(yuan)皇宮(gong)(gong)(gong)(gong)(gong)(gong)享寶(bao)貴，八(ba)輩狀元但求(qiu)武當養性心。”宮(gong)(gong)(gong)(gong)(gong)(gong)仆峰環抱(bao)，懸空(kong)柏出(chu)石(shi)(shi)隙；山水明(ming)媚，樹木參(can)差(cha)；四(si)時(shi)百鳥爭(zheng)鳴(ming)，八(ba)節野花不斷(duan)，真乃錦(jin)銹江山，畫圖世界，過往游(you)人(ren)，無(wu)不嘆為(wei)(wei)(wei)觀(guan)止。尤其游(you)人(ren)注(zhu)目的(de)是(shi)，宮(gong)(gong)(gong)(gong)(gong)(gong)門(men)(men)外通(tong)往平垣之(zhi)(zhi)(zhi)東(dong)西(xi)(xi)道旁，雙峰對(dui)崎，太(tai)陽當空(kong)人(ren)無(wu)影(ying)；巒封路(lu)心，雷鳴(ming)電閃云(yun)無(wu)著。似此(ci)(ci)奇境，實屬罕見。為(wei)(wei)(wei)方便(bian)游(you)人(ren)登峰眺望。免除往年(nian)繞(rao)山越(yue)嶺之(zhi)(zhi)(zhi)苦，1993年(nian)經村(cun)民及外出(chu)工作人(ren)員集資，新(xin)建一(yi)橋上(shang)達(da)龍(long)(long)(long)王(wang)峰，下通(tong)“融寧宮(gong)(gong)(gong)(gong)(gong)(gong)”。故(gu)(gu)取名曰“龍(long)(long)(long)宮(gong)(gong)(gong)(gong)(gong)(gong)橋”。 “欲窮千(qian)里目，更(geng)上(shang)高山峰”。沿(yan)(yan)“龍(long)(long)(long)宮(gong)(gong)(gong)(gong)(gong)(gong)橋”攀登六十九個臺(tai)階，即達(da)山腰“龍(long)(long)(long)王(wang)亭(ting)”。傳(chuan)言(yan)：“龍(long)(long)(long)者能(neng)興云(yun)雨(yu)，利萬(wan)物”。故(gu)(gu)在(zai)(zai)若干(gan)(gan)年(nian)前，我們的(de)祖先(xian)，每逢天(tian)旱之(zhi)(zhi)(zhi)年(nian)，祈(qi)求(qiu)“龍(long)(long)(long)王(wang)爺”作云(yun)下雨(yu)，霖雨(yu)蒼(cang)生，人(ren)壽年(nian)豐，曾在(zai)(zai)山巔(dian)建有(you)(you)“龍(long)(long)(long)王(wang)廟(miao)(miao)”（因年(nian)久塌(ta)毀，現已(yi)在(zai)(zai)存）稱(cheng)(cheng)此(ci)(ci)山為(wei)(wei)(wei)“龍(long)(long)(long)王(wang)峰”。 沿(yan)(yan)“龍(long)(long)(long)王(wang)亭(ting)”徐徐而上(shang)，登峰環繞(rao)，四(si)望無(wu)跡。遠近景(jing)物，盡收眼底。仰觀(guan)霍(huo)山，密木蔥(cong)蔥(cong)；俯(fu)視汾(fen)河(he)(he)，流水潺潺；南同(tong)蒲與大(da)運(yun)公路(lu)交錯，車馳(chi)如梭(suo)；汾(fen)河(he)(he)水同(tong)“七一(yi)渠”并(bing)流，縱橫灌溉，真可(ke)(ke)謂“江山如此(ci)(ci)多嬌”、“風景(jing)這邊獨好(hao)”。難(nan)怪(guai)游(you)人(ren)至此(ci)(ci)，無(wu)不心曠(kuang)神(shen)怡，流連忘返。加(jia)以(yi)宮(gong)(gong)(gong)(gong)(gong)(gong)前有(you)(you)廣場(chang)，宮(gong)(gong)(gong)(gong)(gong)(gong)后有(you)(you)水泉。加(jia)建造(zao)園林，開旅(lv)游(you)勝地，實具有(you)(you)得天(tian)獨厚之(zhi)(zhi)(zhi)天(tian)然(ran)優勢。 如果說：“飛(fei)虹(hong)塔”、“古(gu)(gu)大(da)槐”、“蘇三(san)(san)監獄(yu)”為(wei)(wei)(wei)我縣(xian)三(san)(san)大(da)名勝古(gu)(gu)跡，則(ze)將(jiang)“凈(jing)(jing)石(shi)(shi)宮(gong)(gong)(gong)(gong)(gong)(gong)”辟(pi)成(cheng)旅(lv)游(you)區(qu)，不啻為(wei)(wei)(wei)洪洞“又添一(yi)絕”。