鶴(he)鳴(ming)山(shan)道(dao)教(jiao)(jiao)(jiao)石(shi)(shi)(shi)窟及(ji)石(shi)(shi)(shi)刻位(wei)于(yu)廣元劍(jian)閣(ge)縣(xian)普安鎮城東(dong)的(de)(de)鶴(he)嗚山(shan)。鶴(he)鳴(ming)山(shan)是“中(zhong)國(guo)道(dao)教(jiao)(jiao)(jiao)四大(da)名山(shan)”之(zhi)一(yi),山(shan)上保(bao)存著(zhu)自(zi)東(dong)漢以(yi)來建造的(de)(de)道(dao)教(jiao)(jiao)(jiao)石(shi)(shi)(shi)窟石(shi)(shi)(shi)刻以(yi)及(ji)始于(yu)北魏的(de)(de)道(dao)教(jiao)(jiao)(jiao)造像。由(you)于(yu)豐(feng)富的(de)(de)歷史內涵與精美的(de)(de)石(shi)(shi)(shi)刻造像藝(yi)術,鶴(he)鳴(ming)山(shan)道(dao)教(jiao)(jiao)(jiao)石(shi)(shi)(shi)窟石(shi)(shi)(shi)刻由(you)國(guo)務院列為(wei)第七批全同重(zhong)點(dian)文物保(bao)護單位(wei)。進門迎(ying)首便能看見一(yi)尊儀(yi)態超(chao)凡的(de)(de)老君塑像,彰顯著(zhu)道(dao)教(jiao)(jiao)(jiao)的(de)(de)文化底(di)蘊。順著(zhu)廊道(dao)向內,依次可以(yi)看到(dao)鶴(he)鳴(ming)山(shan)石(shi)(shi)(shi)刻中(zhong)的(de)(de)“唐(tang)(tang)代三絕”:李商隱的(de)(de)《劍(jian)州(zhou)重(zhong)陽亭銘(ming)》碑,顏真卿的(de)(de)《大(da)唐(tang)(tang)中(zhong)興頌》以(yi)及(ji)重(zhong)陽亭中(zhong)的(de)(de)道(dao)教(jiao)(jiao)(jiao)石(shi)(shi)(shi)刻造像。這些出土于(yu)唐(tang)(tang)代的(de)(de)石(shi)(shi)(shi)刻與造像,自(zi)有(you)(you)唐(tang)(tang)代的(de)(de)風骨與大(da)氣。李商隱所撰(zhuan)《劍(jian)州(zhou)重(zhong)陽亭銘(ming)》以(yi)小篆為(wei)書寫(xie)字體,筆力(li)道(dao)勁;顏真卿所書《大(da)唐(tang)(tang)中(zhong)興頌》,筆力(li)豐(feng)滿,大(da)氣磅礴,無怪(guai)乎(hu)世人(ren)贊譽“顏筋柳骨”;造像現存有(you)(you)五(wu)個龕(kan)(kan)窟,可惜其中(zhong)的(de)(de)造像多(duo)有(you)(you)被盜,剩(sheng)余(yu)的(de)(de)幾(ji)尊主像如一(yi)號龕(kan)(kan)的(de)(de)長生大(da)帝,與三號龕(kan)(kan)的(de)(de)長生保(bao)命天尊,皆(jie)面容豐(feng)腴(yu)而(er)儀(yi)態莊嚴(yan),線(xian)條流暢飄(piao)逸,為(wei)唐(tang)(tang)代造像之(zhi)中(zhong)的(de)(de)珍品。
保護范圍(wei)(wei):北至(zhi)1號龕外延(yan)20米,南至(zhi)城東村民朱述珍、達福常包產地,東至(zhi)造像及石刻巖壁外延(yan)5米,西(xi)以圍(wei)(wei)墻(qiang)。
建設控(kong)制地帶:北至劍州白塔外延(yan)100米(mi),南(nan)至圍墻,東至鶴(he)鳴山(shan)(shan)山(shan)(shan)脊往(wang)東100米(mi),西至鶴(he)鳴山(shan)(shan)樹林陡(dou)坡下巖底外延(yan)5米(mi)。面積5500平方(fang)米(mi)。