妹兒(er)是(shi)方言,是(shi)個多(duo)義詞:泛指姑娘、少女(nv),長輩(bei)對晚輩(bei)(女(nv))的呢稱,在特定情況(kuang)下,使用(yong)妹兒(er)一詞,多(duo)少也(ye)會(hui)有(you)些暖昧的意味。
妹兒山(shan)(shan)(shan)(shan)(shan)(shan)坐落(luo)在(zai)(zai)東(dong)距鹽津縣城(cheng)50多公里的落(luo)雁鄉境(jing)內。山(shan)(shan)(shan)(shan)(shan)(shan)向(xiang)谷(gu)地(di)(di),錯落(luo)參差,呈長條狀向(xiang)心排列。谷(gu)地(di)(di)匯(hui)聚的中(zhong)心地(di)(di)帶,風(feng)山(shan)(shan)(shan)(shan)(shan)(shan)余脈悄(qiao)然(ran)隆(long)起,推舉出一座(zuo)座(zuo)清俊、秀(xiu)美的山(shan)(shan)(shan)(shan)(shan)(shan)巒。落(luo)雁大山(shan)(shan)(shan)(shan)(shan)(shan)隆(long)然(ran)挺秀(xiu),翠竹森森;落(luo)柯山(shan)(shan)(shan)(shan)(shan)(shan)層崖壁玉,崔嵬如畫(hua),青翠盈目;永豐嶺尖(jian)峰(feng)峭拔,高(gao)人云際;漢坡嶺巍峨高(gao)峻,憑臨(lin)四山(shan)(shan)(shan)(shan)(shan)(shan);妹兒山(shan)(shan)(shan)(shan)(shan)(shan)體態婀娜,御(yu)風(feng)亭立,煙光明媚,風(feng)鬟霧(wu)鬢,酷似一韶(shao)華(hua)芳春的淑女,儀態萬方地(di)(di)徘徊在(zai)(zai)高(gao)天碧水、奇峰(feng)峻嶺的畫(hua)圖之(zhi)中(zhong),明光鏡鑒,顧盼生輝。妹兒山(shan)(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)(shan)前山(shan)(shan)(shan)(shan)(shan)(shan)后,又派(pai)生出大龍潭、芹草坡、寒婆嶺嶺、竹根坡、浪(lang)(lang)子溝、仙(xian)女塘(tang)之(zhi)類或(huo)因(yin)形(xing)賦名、或(huo)矯情附會的地(di)(di)名,更把一座(zuo)妹兒山(shan)(shan)(shan)(shan)(shan)(shan)渲染(ran)、烘托、陪襯得超凡脫俗,風(feng)華(hua)絕(jue)代樹發雙椏,枝上常棲鸞鳳,允矣;塘(tang)名仙(xian)女,組織些浪(lang)(lang)縐(zhou)波紋,嬖?山(shan)(shan)(shan)(shan)(shan)(shan)號(hao)妹兒,梳裹就風(feng)鬟霧(wu)鬢,是又可以供游(you)人觀(guan)覽,暢(chang)名士之(zhi)襟懷者也。
妹(mei)(mei)兒(er)山下,有(you)一(yi)(yi)位高格遠致(zhi),風流倜儻的(de)(de)青(qing)年名(ming)士,姓李(li)(li),尊諱明璋(zhang),又名(ming)煥圖。《鹽(yan)津縣志》記:其人清宣統己酉(you)(1909)科(ke)進士,工于詩(shi)文(wen)(wen)書(shu)畫。在科(ke)場成名(ming)之(zhi)(zhi)前(qian),李(li)(li)明璋(zhang)是(shi)(shi)守著(zhu)妹(mei)(mei)兒(er)山成長的(de)(de)。十年寒窗苦,那該(gai)是(shi)(shi)怎樣(yang)一(yi)(yi)種情景呵!頭懸(xuan)梁,錐刺股,宵吁夙夜(ye),青(qing)衿白發,浩如煙海(hai)的(de)(de)經史子集(ji)夠折磨人的(de)(de)了(le)(le),不該(gai)再有(you)仕途之(zhi)(zhi)外(wai)的(de)(de)非(fei)分之(zhi)(zhi)想(xiang)。李(li)(li)明漳(zhang)或(huo)者(zhe)也(ye)不只(zhi)一(yi)(yi)次地痛下決(jue)心。可梳裹(guo)就風鬟霧(wu)鬢的(de)(de)妹(mei)(mei)兒(er)山的(de)(de)存在是(shi)(shi)無法抗拒的(de)(de)吸引,春去秋來,晨昏早(zao)晚,寒窗苦讀(du)的(de)(de)李(li)(li)明璋(zhang)總情不自禁地要和妹(mei)(mei)兒(er)山親近一(yi)(yi)番,要為妹(mei)(mei)兒(er)山潑灑幾軸(zhou)丹(dan)(dan)青(qing),吟詠幾篇詩(shi)文(wen)(wen)。在李(li)(li)明璋(zhang)的(de)(de)意念中(zhong),妹(mei)(mei)兒(er)山就是(shi)(shi)妹(mei)(mei)兒(er),是(shi)(shi)人約黃昏后的(de)(de)可人,是(shi)(shi)紅(hong)袖添香夜(ye)讀(du)書(shu)的(de)(de)知己。李(li)(li)才子到(dao)底為妹(mei)(mei)兒(er)山描(miao)摹了(le)(le)幾軸(zhou)丹(dan)(dan)青(qing)、多(duo)少詩(shi)文(wen)(wen)?歲月如歌(ge),桃花(hua)流水春去也(ye),難以稽核(he)。僅流人口(kou)碑,傳(chuan)頌一(yi)(yi)時的(de)(de)作(zuo)品,數(shu)量之(zhi)(zhi)多(duo)讓人感到(dao)吃驚,其中(zhong)也(ye)不乏情深(shen)意切,筆致(zhi)清新的(de)(de)佳作(zuo)。
據實而(er)(er)言,李(li)明璋的詩(shi)作雖有(you)神(shen)女入夢,小姑(gu)獨處之類隱喻,但無(wu)傷大雅,絕非(fei)淫詞浪(lang)調(diao)。然而(er)(er),有(you)人(ren)(ren)受(shou)不住了,一位衛(wei)道的先(xian)生(sheng)站出來說話了,這(zhe)位先(xian)生(sheng)不與李(li)明璋正(zheng)面(mian)接(jie)觸,只把污水(shui)往妹兒(er)山(shan)身上潑。--這(zhe)也符(fu)合(he)國學,凡有(you)傷風(feng)化事(shi),肇端的是(shi)男(nan)人(ren)(ren),遭(zao)譴的是(shi)女人(ren)(ren)。
李(li)明璋高中進士,衣錦(jin)還鄉,凝(ning)眸傾(qing)心處,還是那妹兒山(shan)。今非(fei)昔比(bi),李(li)進士怎(zen)么說、怎(zen)么寫(xie)都(dou)不會有人非(fei)議,馳聘情懷,率性(xing)而為(wei)(wei),仍以《詠妹兒山(shan)》為(wei)(wei)題,淋漓(li)盡致(zhi)地狀(zhuang)寫(xie)四(si)季(ji)景色,傾(qing)訴四(si)季(ji)相思(si)。