高羅佩《秘戲(xi)圖考(kao)》中(zhong)(zhong)(zhong)文自(zi)序曰(yue):十(shi)八,十(shi)九世(shi)紀,訪華西人考(kao)察風俗,書(shu)籍既不(bu)(bu)(bu)易(yi)入手,詢人又諱(hui)莫如深,遂以為(wei)中(zhong)(zhong)(zhong)國(guo)(guo)房內(nei)必淫(yin)污不(bu)(bu)(bu)堪,不(bu)(bu)(bu)可告(gao)人,妄(wang)說誤(wu)(wu)解因(yin)之(zhi)(zhi)(zhi)而(er)生.甚(shen)至(zhi)近世(shi)西人所傳中(zhong)(zhong)(zhong)國(guo)(guo)房室奇習,大抵荒(huang)唐(tang)無(wu)(wu)稽.書(shu)籍雜志所載,茶余酒(jiu)后所譚(tan),此(ci)類侮辱(ru)中(zhong)(zhong)(zhong)華文明之(zhi)(zhi)(zhi)例,已(yi)不(bu)(bu)(bu)勝枚舉.一則徒事匿(ni)藏,一則肆(si)口誣蔑,果誰之(zhi)(zhi)(zhi)罪歟?此(ci)種(zhong)誤(wu)(wu)謬,余久所痛感,但以無(wu)(wu)證可據(ju)(ju),訂正莫由.客年于(yu)日(ri)本,搜(sou)羅佚書(shu),偶得明刊房中(zhong)(zhong)(zhong)術書(shu)數種(zhong),并(bing)明末(mo)繡梓春宮若干冊.康,乾間,此(ci)類圖書(shu)多(duo)流(liu)入日(ri)本,為(wei)彼土文士畫(hua)家(jia)所珍(zhen).浮世(shi)繪版(ban)(ban)畫(hua)實多(duo)取材(cai)于(yu)此(ci),而(er)德川(chuan)幕府亦未嚴禁,故 得保存至(zhi).,余于(yu)西京舊家(jia)購得萬歷雕《花營錦(jin)陣》春冊版(ban)(ban)木,尤為(wei)難能可貴(gui),至(zhi)是而(er)資料略備矣.余所搜(sou)集各書(shu),除(chu)《修真》,《既濟》二種(zhong)外(wai),殆可謂(wei)有睦家(jia)之(zhi)(zhi)(zhi)實,無(wu)(wu)敗德之(zhi)(zhi)(zhi)譏者.可知古代(dai)房中(zhong)(zhong)(zhong)書(shu)籍,不(bu)(bu)(bu)啻不(bu)(bu)(bu)涉放蕩,抑亦符(fu)合衛生,且(qie)無(wu)(wu)暴虐之(zhi)(zhi)(zhi)狂,詭異之(zhi)(zhi)(zhi)行(xing).故中(zhong)(zhong)(zhong)國(guo)(guo)房室之(zhi)(zhi)(zhi)私,初無(wu)(wu)用隱匿(ni),而(er)可謂(wei)中(zhong)(zhong)(zhong)華文明之(zhi)(zhi)(zhi)榮譽也.至(zhi)于(yu)《花營錦(jin)陣》,《風流(liu)絕暢(chang)》等(deng)圖,雖(sui)是軒皇(huang),素女圖勢之(zhi)(zhi)(zhi)末(mo)流(liu),實為(wei)明代(dai)套版(ban)(ban)之(zhi)(zhi)(zhi)精粹,勝《十(shi)竹齋》等(deng)畫(hua)譜強半(ban),存六(liu)如,十(shi)洲(zhou)之(zhi)(zhi)(zhi)筆意(yi),與(yu)清代(dai)坊(fang)間流(liu)傳之(zhi)(zhi)(zhi)穢跡,不(bu)(bu)(bu)可同日(ri)而(er)語。外(wai)國(guo)(guo)鑒(jian)賞(shang)家(jia)多(duo)謂(wei)中(zhong)(zhong)(zhong)國(guo)(guo)歷代(dai)畫(hua)人不(bu)(bu)(bu)嫻描寫(xie)肉體,據(ju)(ju)此(ci)冊可知其謬也。
六詞
【其一如夢令】
桃園主人
一(yi)夜雨狂云(yun)哄,濃興不知宵永。露滴牡丹(dan)心(xin),骨節(jie)酥熔難動。情重情重,都向華胥一(yi)夢。
【其二夜行船】
風月平章
眼花臥柳(liu)情如許,一著酥胸,不覺金(jin)蓮舉。云鬢漸偏嬌欲語,囑郎莫便從(cong)容往(wang)。
【其三望海潮】
秦樓客
春興(xing)將闌,芳情欲(yu)倦,美人(ren)別逞風光。自顛自倒,自吞自吐,個(ge)中滋味(wei)深長。低首望巫(wu)陽,任浮沉,一似浪動帆張。眼(yan)看欲(yu)化,魂斷難支(zhi),再商量。
【其四翰林風】
南國學士
座上(shang)香(xiang)盈(ying)果滿車,誰家(jia)年少潤無暇,為(wei)探薔(qiang)薇(wei)顏色媚,賺來(lai)試折后(hou)庭花。半(ban)似含羞半(ban)推托,不(bu)比尋常浪(lang)風(feng)月。回頭低(di)喚(huan)快些(xie)兒,叮嚀休(xiu)與他(ta)人說。
【其(qi)五法曲獻仙音】
探春客
花滿(man)雕(diao)欄,春(chun)坐(zuo)玉院,樂奏九(jiu)成(cheng)將倦。口品(pin)洞簫,手摩花鈸(ba),不(bu)數風笙龍管。細(xi)細(xi)吹,輕輕點(dian),各風情(qing)(qing)無限。情(qing)(qing)無限,畢竟是(shi)雨(yu)偏云半,怎療得兩人饑饞渴戀?鷂子翻身(shen),方(fang)遂了(le)一天心愿。
【其六鵲踏枝】
萬花谷主
牡丹(dan)高架(jia)含香(xiang)露,足短難攀,小幾將(jiang)來(lai)度(du)。宛如秀(xiu)士(shi)步云梯,疑似(si)(si)老僧敲法鼓。輕輕款(kuan)款(kuan)情無限,又(you)似(si)(si)秋千,搖(yao)曳(ye)間(jian)庭院。興發不(bu)堪狂歷亂。一時樹(shu)倒猢猻(sun)散(san)。
經臺灣有(you)關專家將《花營錦陣(zhen)》題字與屠(tu)隆(long)手跡(ji)(ji)反復比勘,證(zheng)實確實是(shi)屠(tu)隆(long)的筆跡(ji)(ji)(屠(tu)隆(long)真跡(ji)(ji)現藏于寧(ning)波(bo)天一閣)。屠(tu)隆(long),字長卿,又字緯真,號赤水(shui),別號由(you)拳、屠(tu)隆(long)山人、一衲(na)道人,蓬萊(lai)仙(xian)客,晚(wan)(wan)年(nian)又號鴻苞居士。鄞縣(xian)(今(jin)屬浙江寧(ning)波(bo))人。1543年(nian)農歷6月(yue)25日(ri)申時出生(sheng)(sheng)(sheng)于今(jin)寧(ning)波(bo)江北區桃渡(du)路一商(shang)人之(zhi)家。他大(da)器晚(wan)(wan)成,35歲(sui)才(cai)中(zhong)舉人,以(yi)殿試第三(san)甲第110名(ming)(ming)而(er)被(bei)賜予進士。先后擔任過(guo)穎上縣(xian)令(ling)和青浦縣(xian)令(ling),做過(guo)不少(shao)好事,但因(yin)被(bei)刑部舉報有(you)“淫(yin)縱”行為(wei)而(er)被(bei)皇上削(xue)職為(wei)民,只好回鄉。在(zai)寧(ning)波(bo)江北王家匯三(san)間老屋中(zhong)安下(xia)身來,時年(nian)42歲(sui)。屠(tu)隆(long)是(shi)多才(cai)多藝的戲曲家和疏狂放逸的文學家,因(yin)此(ci)在(zai)當地相當有(you)名(ming)(ming)。上海(hai)和臺北的學者經過(guo)考證(zheng)認為(wei),《金(jin)瓶梅詞話》的作者“蘭陵(ling)笑(xiao)(xiao)笑(xiao)(xiao)生(sheng)(sheng)(sheng)”就是(shi)屠(tu)隆(long)。屠(tu)隆(long)“笑(xiao)(xiao)所笑(xiao)(xiao)者笑(xiao)(xiao)笑(xiao)(xiao)之(zhi)”,故被(bei)稱為(wei)“笑(xiao)(xiao)笑(xiao)(xiao)先生(sheng)(sheng)(sheng)”。他以(yi)此(ci)名(ming)(ming)寫下(xia)了(le)很(hen)多著作。《花營錦陣(zhen)》第22圖“魚游春水(shui)”題詠的署名(ming)(ming)也(ye)是(shi)“笑(xiao)(xiao)笑(xiao)(xiao)生(sheng)(sheng)(sheng)”。其辭曰:風流(liu)原無底(di),醉(zui)逞歡情情更美(mei)。弱體難拘,一任東風搖(yao)曳。翠攢(zan)眉黛遠山顰,紅褪鞋(xie)幫蓬瓣(ban)卸。好似江心,魚游春水(shui)。