東林大(da)佛(fo)(fo)位(wei)于(yu)中(zhong)國江西(xi)省廬山市溫泉鎮(zhen),屬廬山景區。大(da)佛(fo)(fo)的(de)(de)整(zheng)體造型(xing),吸收了(le)龍門石窟盧舍那(nei)大(da)佛(fo)(fo)、敦煌大(da)佛(fo)(fo)、日本鐮倉(cang)大(da)佛(fo)(fo)、古印度(du)及(ji)盛唐時期佛(fo)(fo)像的(de)(de)優點(dian),力(li)圖達到宗教精(jing)神與(yu)雕(diao)塑藝(yi)術(shu)的(de)(de)最高(gao)水(shui)平(ping)結合(從小(xiao)到中(zhong)稿已經二(er)十余次修改)。大(da)佛(fo)(fo)的(de)(de)形(xing)像為(wei)接引式,以雄(xiong)偉的(de)(de)身軀表(biao)現阿(a)彌陀(tuo)(tuo)佛(fo)(fo)如(ru)慈(ci)父般(ban)博(bo)大(da)、寬厚(hou)的(de)(de)胸懷,以悲憫的(de)(de)表(biao)情表(biao)現阿(a)彌陀(tuo)(tuo)佛(fo)(fo)對眾生(sheng)如(ru)慈(ci)母(mu)般(ban)的(de)(de)無盡憐愛。通高(gao)四十八米,底座為(wei)48瓣蓮臺(tai),表(biao)現阿(a)彌陀(tuo)(tuo)佛(fo)(fo)為(wei)救度(du)眾生(sheng)所發的(de)(de)四十八大(da)愿。即將(jiang)出世的(de)(de)東林大(da)佛(fo)(fo),會(hui)成為(wei)代表(biao)當代最高(gao)水(shui)平(ping)的(de)(de)宗教藝(yi)術(shu)精(jing)品。
為(wei)體現對佛像(xiang)的(de)(de)至誠(cheng)恭敬,東林僧團決定為(wei)大(da)佛建造一寶蓋,能為(wei)佛像(xiang)遮風(feng)擋雨。寶蓋的(de)(de)設計建造也為(wei)佛像(xiang)貼(tie)金提(ti)供(gong)了條件,阿彌陀佛身金色,相好光明(ming)無等倫。同時,在(zai)約兩千平米的(de)(de)寶蓋壁板上刻畫(hua)觀世音菩薩(sa)與(yu)大(da)勢至菩薩(sa),展現西方三圣及諸圣眾(zhong)前來(lai)接(jie)引的(de)(de)盛況,配合聲、光、電的(de)(de)效(xiao)果,使阿彌陀佛接(jie)引情景更為(wei)恢弘。
阿彌(mi)陀佛(fo)(fo)(fo)(fo)(fo)(fo)是(shi)佛(fo)(fo)(fo)(fo)(fo)(fo)中(zhong)之王、光中(zhong)極尊,是(shi)西方極樂世界的(de)教(jiao)(jiao)(jiao)(jiao)(jiao)主,是(shi)佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)凈土宗廣大(da)信(xin)(xin)眾的(de)信(xin)(xin)仰對象,在佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)界擁有(you)的(de)信(xin)(xin)徒最(zui)(zui)多,這是(shi)一(yi)個人人都能修行的(de)法門(men),最(zui)(zui)易修持,收效最(zui)(zui)大(da),是(shi)佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)大(da)乘(cheng)各宗各派(pai)的(de)最(zui)(zui)終歸(gui)宿(su)。根(gen)據佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)創始人釋(shi)迦牟(mou)尼佛(fo)(fo)(fo)(fo)(fo)(fo)在《法滅盡經(jing)》、《無量(liang)壽經(jing)》等典籍中(zhong)的(de)預(yu)言,佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)傳揚分(fen)正法、像(xiang)法、末(mo)(mo)法三個時(shi)(shi)期,佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)的(de)末(mo)(mo)法時(shi)(shi)期以后,各宗派(pai)教(jiao)(jiao)(jiao)(jiao)(jiao)法紛(fen)(fen)紛(fen)(fen)消失,最(zui)(zui)后只留下阿彌(mi)陀佛(fo)(fo)(fo)(fo)(fo)(fo)法門(men)住(zhu)世百年,救度(du)有(you)緣(yuan)眾生。東林大(da)佛(fo)(fo)(fo)(fo)(fo)(fo)建成,直(zhi)至(zhi)末(mo)(mo)法時(shi)(shi)期救度(du)無邊眾生,是(shi)佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)末(mo)(mo)法時(shi)(shi)代的(de)地標性工程,將(jiang)賦予佛(fo)(fo)(fo)(fo)(fo)(fo)教(jiao)(jiao)(jiao)(jiao)(jiao)以不朽的(de)內涵(han)與鮮(xian)活的(de)生命力。
四十(shi)八米阿(a)彌(mi)陀(tuo)佛(fo)接引圣(sheng)像表達“愿(yuan)我(wo)臨欲命終時(shi),阿(a)彌(mi)陀(tuo)佛(fo)遠相迎”的(de)情景。吾人(ren)睹見此圣(sheng)像,便可(ke)領(ling)悟到(dao)阿(a)彌(mi)陀(tuo)佛(fo)平等救度我(wo)等眾生的(de)愿(yuan)心,引發吾人(ren)信愿(yuan)持(chi)名,蒙佛(fo)金色手臂的(de)接引,往生到(dao)極(ji)樂世界(jie)。
項(xiang)目在(zai)(zai)(zai)既有(you)的(de)(de)景(jing)區(qu)控制性詳細規劃(hua)的(de)(de)基礎上進行,其大佛坐(zuo)落(luo)位(wei)置,大佛景(jing)區(qu)中(zhong)軸線(xian)走向(xiang),沿中(zhong)軸線(xian)展開(kai)(kai)的(de)(de)主(zhu)要(yao)建(jian)(jian)(jian)筑(zhu)(zhu)的(de)(de)建(jian)(jian)(jian)筑(zhu)(zhu)標高,在(zai)(zai)(zai)基本保持原控制性詳細規劃(hua)的(de)(de)設(she)計意(yi)向(xiang),加以(yi)(yi)具體化與深入化,使詳細規劃(hua)的(de)(de)主(zhu)要(yao)規劃(hua)意(yi)圖得以(yi)(yi)實(shi)現。景(jing)區(qu)沿中(zhong)軸線(xian)布置,采用中(zhong)國古代圣山(shan)(shan)建(jian)(jian)(jian)筑(zhu)(zhu)群的(de)(de)經典建(jian)(jian)(jian)筑(zhu)(zhu)空(kong)(kong)間(jian)組織方式,將大佛景(jing)區(qu)按(an)照七個(ge)(ge)景(jing)區(qu)依序(xu)展開(kai)(kai),建(jian)(jian)(jian)筑(zhu)(zhu)空(kong)(kong)間(jian)開(kai)(kai)合有(you)致,起伏(fu)跌宕,其間(jian)聯以(yi)(yi)鐘(zhong)鼓樓、登(deng)(deng)山(shan)(shan)階梯、服務設(she)施(shi)等,使整個(ge)(ge)大佛景(jing)區(qu)聯為一個(ge)(ge)完整的(de)(de)空(kong)(kong)間(jian)整體,其由緩而(er)陡(dou),逐漸(jian)升起,佛坐(zuo)落(luo)在(zai)(zai)(zai)半空(kong)(kong)之中(zhong),登(deng)(deng)山(shan)(shan)拜佛階梯層疊錯落(luo),踏階兩(liang)側綠樹濃陰,郁郁蔥蔥,登(deng)(deng)山(shan)(shan)階梯時(shi)平時(shi)起,間(jian)有(you)虹橋飛(fei)跨,平臺遠眺(tiao),形成一個(ge)(ge)視野(ye)開(kai)(kai)合,高度起伏(fu)、張弛有(you)序(xu)的(de)(de)禮佛拜佛空(kong)(kong)間(jian)序(xu)列(lie)。使阿彌陀佛的(de)(de)神秘、仁慈與宏偉、莊嚴,漸(jian)次展現在(zai)(zai)(zai)香客和(he)游人面前。
廬山東(dong)林寺(si)(si)創于晉,盛(sheng)于唐(tang)。東(dong)林寺(si)(si)是(shi)凈(jing)土宗的(de)(de)祖(zu)庭(ting),而唐(tang)代(dai)是(shi)佛(fo)(fo)(fo)教(jiao)凈(jing)土宗最為(wei)繁盛(sheng)的(de)(de)時期(qi),唐(tang)代(dai)不僅建造了(le)大(da)量規模恢宏(hong)、造型華美的(de)(de)凈(jing)土寺(si)(si)院,而且(qie),敦煌唐(tang)代(dai)壁(bi)畫(hua)中所(suo)保留的(de)(de)大(da)量凈(jing)土變壁(bi)畫(hua),使人們對(dui)唐(tang)代(dai)凈(jing)土寺(si)(si)院有一個十分(fen)形(xing)象的(de)(de)理(li)解,它(ta)既是(shi)對(dui)盛(sheng)唐(tang)輝煌的(de)(de)佛(fo)(fo)(fo)教(jiao)建筑(zhu)文化的(de)(de)回憶(yi),也(ye)是(shi)對(dui)盛(sheng)世佛(fo)(fo)(fo)教(jiao)文化的(de)(de)向往。所(suo)以(yi),東(dong)林寺(si)(si)大(da)佛(fo)(fo)(fo)景(jing)區建筑(zhu)以(yi)唐(tang)代(dai)建筑(zhu)風格為(wei)依據,力求準確、全面地(di)再現盛(sheng)唐(tang)佛(fo)(fo)(fo)教(jiao)寺(si)(si)院的(de)(de)建筑(zhu)空間(jian)(jian)、造型與(yu)裝飾形(xing)式,不僅在空間(jian)(jian)與(yu)建筑(zhu)形(xing)式上,而且(qie)在裝飾細部上,力求充分(fen)體現大(da)唐(tang)風韻,以(yi)體現光大(da)佛(fo)(fo)(fo)教(jiao)文化,再現盛(sheng)世輝煌的(de)(de)主題。
大佛(fo)景區建筑(zhu)群(qun)沿軸(zhou)(zhou)線(xian)布置,在軸(zhou)(zhou)線(xian)南端,與(yu)環廬山(shan)干線(xian)公(gong)路相鄰,用一個(ge)烏頭門(men)形式(shi)的唐(tang)式(shi)影(ying)壁作(zuo)為屏障,也作(zuo)為景區的南部(bu)邊(bian)界。由烏頭門(men)式(shi)影(ying)壁與(yu)山(shan)門(men),及山(shan)門(men)前兩側作(zuo)為附屬用房配置的廂房,構成(cheng)一個(ge)入口(kou)空間。中軸(zhou)(zhou)線(xian)兩側廂房后(hou)為入口(kou)區停車(che)場。
山(shan)(shan)門(men)以(yi)內有錯(cuo)綜復雜的(de)水(shui)面(mian)、平(ping)臺(tai)、虹橋(qiao)、和(he)(he)凹字形(xing)平(ping)面(mian)的(de)開(kai)敞廊(lang)亭(ting)及正殿(dian),形(xing)成一個(ge)略似故宮午門(men)五鳳樓的(de)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian),這(zhe)(zhe)是一個(ge)敞開(kai)胸(xiong)脯歡迎接(jie)(jie)引(yin)性(xing)的(de)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian),也是一個(ge)表(biao)現唐代凈土(tu)寺院八功德水(shui)及亭(ting)臺(tai)樓榭的(de)繁盛景象的(de)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian)。凹字形(xing)建筑(zhu)兩翼(yi)為開(kai)敞布置的(de)廊(lang)亭(ting),可供游(you)人香客(ke)停(ting)留駐足,而正殿(dian)為天(tian)王殿(dian),內供四大天(tian)王,彌勒(le)接(jie)(jie)引(yin)佛(fo)(fo)和(he)(he)韋陀(tuo)護(hu)法神。形(xing)成空(kong)(kong)(kong)間(jian)(jian)(jian)(jian)序列(lie)的(de)第一個(ge)高潮(chao)景區(qu)。這(zhe)(zhe)里(li)可以(yi)舉行宏大的(de)佛(fo)(fo)教(jiao)禮儀儀式(shi)表(biao)演活(huo)動。釋(shi)迦殿(dian)景區(qu)以(yi)凹字形(xing)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian)、歇山(shan)(shan)式(shi)屋(wu)頂、對稱布置的(de)廊(lang)、亭(ting),及層疊展開(kai)的(de)水(shui)上平(ping)臺(tai),唐式(shi)萬字版勾欄,構成了唐代凈土(tu)變壁畫中(zhong)西(xi)方(fang)佛(fo)(fo)國凈土(tu)寺院歡快、欣(xin)悅的(de)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian)場景,為整個(ge)景區(qu)的(de)佛(fo)(fo)國凈土(tu)氛圍提供了一個(ge)空(kong)(kong)(kong)間(jian)(jian)(jian)(jian)與(yu)造型上的(de)鋪墊。
觀(guan)佛閣后左(zuo)右對稱布置經(jing)幢。雖然,在(zai)(zai)唐(tang)代時這(zhe)里應(ying)該(gai)是放置鐘樓(lou)和(he)藏經(jing)樓(lou),但(dan)為(wei)了適應(ying)現(xian)代佛教(jiao)儀規的(de)(de)要(yao)求,按(an)地形的(de)(de)空間格(ge)局,布置經(jing)幢。但(dan)經(jing)幢的(de)(de)建筑(zhu)形式(shi)應(ying)該(gai)表現(xian)唐(tang)代經(jing)幢的(de)(de)式(shi)樣與風格(ge)。使經(jing)幢成(cheng)為(wei)主要(yao)殿(dian)閣——三圣殿(dian)前左(zuo)右侍立的(de)(de)重要(yao)建筑(zhu),也成(cheng)為(wei)天(tian)王殿(dian)景區(qu)與三圣殿(dian)景區(qu)的(de)(de)一個過渡性景區(qu)。經(jing)幢布置在(zai)(zai)向上攀登的(de)(de)階梯兩側,正可成(cheng)為(wei)高踞于上的(de)(de)三圣殿(dian)與大佛的(de)(de)前導(dao)空間。
三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)區是(shi)一(yi)(yi)(yi)個(ge)典(dian)型(xing)的(de)(de)古代(dai)中(zhong)(zhong)國宗教圣(sheng)(sheng)(sheng)(sheng)山(shan)的(de)(de)空(kong)間格局。其主(zhu)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)高(gao)踞于庭(ting)院(yuan)北端的(de)(de)高(gao)地(di)上(shang),通(tong)(tong)過三(san)(san)(san)重(zhong)(zhong)臺(tai)基(ji),和(he)重(zhong)(zhong)重(zhong)(zhong)臺(tai)階到達(da)。庭(ting)院(yuan)前(qian)部為(wei)(wei)(wei)一(yi)(yi)(yi)個(ge)過殿(dian)(dian)(dian)(dian)(dian)(dian)(dian),其形(xing)式(shi)為(wei)(wei)(wei)典(dian)型(xing)的(de)(de)唐(tang)代(dai)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)挾屋(wu)的(de)(de)形(xing)式(shi),中(zhong)(zhong)間為(wei)(wei)(wei)主(zhu)門,兩(liang)側(ce)(ce)為(wei)(wei)(wei)側(ce)(ce)門。配置相應佛(fo)座(zuo)。挾屋(wu)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)兩(liang)側(ce)(ce)通(tong)(tong)過爬山(shan)疊(die)廊(lang)(lang)(lang)與三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)相聯,形(xing)成(cheng)(cheng)一(yi)(yi)(yi)個(ge)尺度恢宏(hong)的(de)(de)大型(xing)庭(ting)院(yuan),并再(zai)現唐(tang)代(dai)凈土寺院(yuan)回廊(lang)(lang)(lang)院(yuan)格局。廊(lang)(lang)(lang)于處(chu)理成(cheng)(cheng)透(tou)廊(lang)(lang)(lang),兩(liang)側(ce)(ce)通(tong)(tong)透(tou),可(ke)以透(tou)過廊(lang)(lang)(lang)于,盡(jin)覽廊(lang)(lang)(lang)內外(wai)景(jing)(jing)色,如同為(wei)(wei)(wei)三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)罩了一(yi)(yi)(yi)條(tiao)紗裙,既宏(hong)偉輝煌,又神秘幽靜。庭(ting)院(yuan)內除(chu)了登殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)階道(dao)與掩映的(de)(de)綠樹(shu)濃陰外(wai),還在軸線上(shang)布置了一(yi)(yi)(yi)道(dao)烏(wu)頭門,與兩(liang)個(ge)唐(tang)式(shi)八角亭。起到空(kong)間點綴的(de)(de)作(zuo)用。亭內可(ke)設(she)碑刻,記錄凈土宗與東林寺的(de)(de)歷史,及建造(zao)東林大佛(fo)的(de)(de)盛舉(ju),既可(ke)傳之后人以為(wei)(wei)(wei)永志,又可(ke)供香(xiang)客與游人駐足(zu)欣賞(shang)。三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)為(wei)(wei)(wei)重(zhong)(zhong)檐廡殿(dian)(dian)(dian)(dian)(dian)(dian)(dian),殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)身七間,周(zhou)匝副階,平面為(wei)(wei)(wei)九間,是(shi)中(zhong)(zhong)軸線上(shang)等級規(gui)格最高(gao)的(de)(de)大殿(dian)(dian)(dian)(dian)(dian)(dian)(dian),其中(zhong)(zhong)供奉(feng)阿彌陀佛(fo)等西方三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng),構成(cheng)(cheng)東林大佛(fo)景(jing)(jing)區的(de)(de)主(zhu)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian),可(ke)以在殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)堂中(zhong)(zhong),及殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)前(qian)宏(hong)大的(de)(de)庭(ting)院(yuan)中(zhong)(zhong)舉(ju)行大規(gui)模(mo)念佛(fo)禮儀。是(shi)大佛(fo)景(jing)(jing)區的(de)(de)重(zhong)(zhong)要禮佛(fo)空(kong)間。三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)庭(ting)院(yuan)前(qian)部兩(liang)側(ce)(ce),布置服務性建筑,設(she)置小賣、管理、洗手間等設(she)施,建筑對稱布置,為(wei)(wei)(wei)單檐5間懸(xuan)山(shan)頂。三(san)(san)(san)圣(sheng)(sheng)(sheng)(sheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)后直(zhi)接登山(shan)階梯,以略近唐(tang)代(dai)宮殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)龍尾道(dao)的(de)(de)形(xing)式(shi)循循而上(shang),階梯間利(li)用休(xiu)息平臺(tai),設(she)置觀賞(shang)臺(tai),既起到一(yi)(yi)(yi)個(ge)間歇休(xiu)息的(de)(de)作(zuo)用,也可(ke)以駐足(zu)回望,增加(jia)登山(shan)路上(shang)的(de)(de)觀景(jing)(jing)情趣,減少(shao)登山(shan)的(de)(de)勞頓感。
觀佛閣(ge)(ge)位(wei)于登臨大佛階梯的中段,位(wei)于飛虹(hong)橋前,既是(shi)一個(ge)中間平緩(huan)的休息路段,也是(shi)一個(ge)瞻仰(yang)大佛,并回望(wang)三圣殿(dian)、天王殿(dian)的重(zhong)要(yao)觀景點。觀佛閣(ge)(ge)中設置有十六幅(fu)壁畫。觀佛閣(ge)(ge)為單(dan)檐八角亭(ting)榭式樓(lou)閣(ge)(ge),與(yu)現存日本法(fa)隆寺(si)夢殿(dian)形制(zhi)相同,且位(wei)于半山之中,以其雄偉的輪廓(kuo),正可昭(zhao)顯唐(tang)代建筑雄大舒展的風韻。
大佛(fo)(fo)景(jing)區(qu)(qu)中(zhong)利用山(shan)(shan)體中(zhong)的(de)(de)(de)谷澗,設(she)置(zhi)了一(yi)座飛(fei)虹(hong)橋(qiao),橋(qiao)體建議設(she)計(ji)為拱形(xing)(xing),如空(kong)(kong)中(zhong)飛(fei)虹(hong),橋(qiao)欄以(yi)唐(tang)(tang)式欄干及相應尋(xun)杖、華版,再現唐(tang)(tang)代大型虹(hong)橋(qiao)的(de)(de)(de)形(xing)(xing)式。并形(xing)(xing)成一(yi)個還愿堂與(yu)禮佛(fo)(fo)臺(tai)之間的(de)(de)(de)平緩區(qu)(qu),可(ke)(ke)以(yi)在等山(shan)(shan)之路(lu)上,稍加(jia)休憩(qi),也可(ke)(ke)以(yi)作(zuo)為最后(hou)登(deng)臨(lin)大佛(fo)(fo)佛(fo)(fo)座禮拜大佛(fo)(fo)的(de)(de)(de)情緒(xu)醞(yun)釀區(qu)(qu)段(duan)。橋(qiao)下茂密的(de)(de)(de)林木(mu),使人如在半天空(kong)(kong)中(zhong),有如等臨(lin)佛(fo)(fo)境(jing)的(de)(de)(de)感(gan)覺。跨過飛(fei)虹(hong)橋(qiao),在繼(ji)續登(deng)山(shan)(shan)之前,設(she)置(zhi)了一(yi)個前導的(de)(de)(de)過渡空(kong)(kong)間通過設(she)置(zhi)烏頭門(men)的(de)(de)(de)作(zuo)法,加(jia)強最后(hou)登(deng)山(shan)(shan)拜佛(fo)(fo)的(de)(de)(de)情緒(xu)醞(yun)釀,也作(zuo)為登(deng)臨(lin)佛(fo)(fo)臺(tai)的(de)(de)(de)前導空(kong)(kong)間。平臺(tai)兩側設(she)置(zhi)鐘鼓樓。其后(hou)的(de)(de)(de)登(deng)山(shan)(shan)階梯,為了減緩急劇升高的(de)(de)(de)山(shan)(shan)體標(biao)高,通過圓形(xing)(xing)階梯,延長登(deng)山(shan)(shan)的(de)(de)(de)線路(lu)長度(du),從而使登(deng)山(shan)(shan)的(de)(de)(de)坡度(du)減緩,并穿插以(yi)雕塑、花木(mu)與(yu)泉水,創造一(yi)個充(chong)滿(man)活力與(yu)動(dong)感(gan)的(de)(de)(de)登(deng)山(shan)(shan)階梯路(lu)線,減少登(deng)山(shan)(shan)的(de)(de)(de)枯燥感(gan)與(yu)勞累感(gan)。
在即將(jiang)登臨大(da)佛(fo)(fo)佛(fo)(fo)座(zuo)前,觸摸大(da)佛(fo)(fo)佛(fo)(fo)座(zuo)時,在佛(fo)(fo)座(zuo)平(ping)臺之(zhi)下(xia),設(she)置一個拜(bai)(bai)佛(fo)(fo)臺案。拜(bai)(bai)佛(fo)(fo)臺案前兩邊為法物流通的服務(wu)用房。
佛(fo)(fo)(fo)座(zuo)是(shi)(shi)東林大(da)(da)佛(fo)(fo)(fo)的(de)(de)(de)所(suo)在(zai)(zai)(zai),是(shi)(shi)宏(hong)(hong)偉佛(fo)(fo)(fo)尊屹(yi)立(li)(li)之處,位于景區(qu)中軸線的(de)(de)(de)最高點,佛(fo)(fo)(fo)座(zuo)呈正方形,內(nei)為(wei)三(san)重漢(han)白(bai)玉階基,略近天壇的(de)(de)(de)形制,但欄桿、階基須按唐(tang)代(dai)的(de)(de)(de)裝飾紋樣與(yu)(yu)制度。大(da)(da)佛(fo)(fo)(fo)立(li)(li)于圓形須彌座(zuo)上(shang),高高屹(yi)立(li)(li)。三(san)重佛(fo)(fo)(fo)臺可以供禮佛(fo)(fo)(fo)信眾(zhong)登臨與(yu)(yu)繞(rao)佛(fo)(fo)(fo)禮拜。佛(fo)(fo)(fo)座(zuo)周(zhou)圍的(de)(de)(de)佛(fo)(fo)(fo)臺按照(zhao)曼陀(tuo)羅格(ge)局,在(zai)(zai)(zai)佛(fo)(fo)(fo)臺四(si)周(zhou)布置(zhi)八尊菩薩。并布置(zhi)草地、綠化。四(si)周(zhou)設(she)(she)置(zhi)敞廊,既可在(zai)(zai)(zai)廊中設(she)(she)坐凳(deng),供禮佛(fo)(fo)(fo)信眾(zhong)靜坐屏(ping)息的(de)(de)(de)觀(guan)想、念(nian)佛(fo)(fo)(fo),也為(wei)大(da)(da)佛(fo)(fo)(fo)佛(fo)(fo)(fo)座(zuo)形成了一(yi)(yi)個空(kong)間(jian)的(de)(de)(de)邊(bian)界,使(shi)佛(fo)(fo)(fo)臺區(qu)在(zai)(zai)(zai)宏(hong)(hong)偉中顯出親切宜人的(de)(de)(de)尺度。廊外佛(fo)(fo)(fo)臺邊(bian)緣設(she)(she)墟墻,起(qi)到(dao)一(yi)(yi)個圍合與(yu)(yu)安全(quan)防護(hu)的(de)(de)(de)作(zuo)用(yong)。佛(fo)(fo)(fo)座(zuo)下四(si)周(zhou)可以利用(yong)高差,適當布置(zhi)一(yi)(yi)些服務(wu)、管理性空(kong)間(jian),作(zuo)為(wei)大(da)(da)佛(fo)(fo)(fo)佛(fo)(fo)(fo)座(zuo)區(qu)的(de)(de)(de)功能性用(yong)房。另外,在(zai)(zai)(zai)景區(qu)中軸線右(you)側(ce)(ce)設(she)(she)上(shang)山(shan)車(che)道,蜿蜒而上(shang),在(zai)(zai)(zai)還(huan)愿堂后(hou)的(de)(de)(de)飛虹橋引(yin)橋下與(yu)(yu)人行登山(shan)路線立(li)(li)體交叉,繼(ji)續(xu)向上(shang),至(zhi)大(da)(da)佛(fo)(fo)(fo)佛(fo)(fo)(fo)座(zuo)左側(ce)(ce)。這一(yi)(yi)車(che)路,既可以為(wei)佛(fo)(fo)(fo)座(zuo)區(qu)提供服務(wu),也可以為(wei)貴賓及(ji)年老體弱者(zhe)提供便利,還(huan)起(qi)到(dao)消(xiao)防通道的(de)(de)(de)作(zuo)用(yong)。
以(yi)上僅對景區中軸(zhou)(zhou)線的建筑點作了簡要說明(ming),除中軸(zhou)(zhou)線建筑外(wai)還有:東林(lin)新(xin)院(yuan)、閉關中心、大(da)德(de)精舍(she)、隱逸(yi)文(wen)化區、比丘(qiu)尼(ni)院(yuan)、安養(yang)院(yuan)(即臨終關懷、助念送往生的場所)。