1863年(nian)12月12日，愛德(de)華(hua)·蒙(meng)克(ke)出生于挪威(wei)雷登(deng)在奧斯陸長(chang)大。愛德(de)華(hua)·蒙(meng)克(ke)的(de)父親患有(you)精神病，他(ta)(ta)向(xiang)他(ta)(ta)的(de)孩子(zi)們灌輸了(le)對地(di)獄(yu)的(de)根深蒂固的(de)恐懼，他(ta)(ta)一(yi)再告訴他(ta)(ta)們，如果他(ta)(ta)們在任何情(qing)況(kuang)下、以任何方式(shi)犯(fan)有(you)罪孽，他(ta)(ta)們就(jiu)會注定被投入地(di)獄(yu)，沒有(you)任何寬恕的(de)機會。1879年(nian) ，愛德(de)華(hua)·蒙(meng)克(ke)為成(cheng)為一(yi)名工(gong)程師而進(jin)工(gong)學(xue)院(yuan)念(nian)書，受印象主義畫風的(de)影響(xiang)，然而，頻繁的(de)患病中斷了(le)他(ta)(ta)的(de)學(xue)業。
1880年，愛德華·蒙克(ke)為了(le)成為一名(ming)畫(hua)家而離開工(gong)學院。
1881年，愛德華(hua)·蒙克考(kao)進了奧斯(si)陸皇家(jia)藝(yi)術(shu)和(he)設計學院，他的老師是(shi)雕刻家(jia)朱利厄斯(si)·米德爾頓和(he)自然(ran)主(zhu)義畫家(jia)克里斯(si)蒂(di)安(an)·克羅格(ge)。
1885年，愛(ai)德華(hua)(hua)·蒙克前往(wang)巴黎。他(ta)的(de)作品開(kai)始顯(xian)示出法國畫(hua)家的(de)影響；一開(kai)始是(shi)印象(xiang)(xiang)派，接著是(shi)后(hou)印象(xiang)(xiang)派，然(ran)後(hou)是(shi)新藝術造(zao)型。愛(ai)德華(hua)(hua)·蒙克的(de)繪畫(hua)盡管風格上是(shi)后(hou)期(qi)印象(xiang)(xiang)派的(de)，但在主題上卻是(shi)象(xiang)(xiang)征派的(de)，愛(ai)德華(hua)(hua)·蒙克的(de)繪畫(hua)內容在于刻畫(hua)內心(xin)世界而不是(shi)外在現實。
1889年改用傳統的(de)(de)畫(hua)法(fa)(fa)創作《病(bing)孩(hai)》和變體畫(hua)《春》，從而(er)獲得獎學(xue)金去法(fa)(fa)國留(liu)學(xue)，從師L.博納。在法(fa)(fa)國，他在研究印象主(zhu)義畫(hua)法(fa)(fa)的(de)(de)基(ji)礎上(shang)，轉而(er)對后(hou)印象主(zhu)義和納比派(pai)發(fa)生興趣。他發(fa)現(xian)線條(tiao)和色彩有強烈的(de)(de)表現(xian)力(li)，試圖用它(ta)們(men)畫(hua)出活生生的(de)(de)人們(men)，他們(men)的(de)(de)呼吸、感覺(jue)、受苦受難(nan)并彼此的(de)(de)相愛(ai)。
1892年 愛德華·蒙克(ke)(ke)應邀參(can)加柏林藝術(shu)家(jia)(jia)(jia)聯盟在11月份舉行的畫展。愛德華·蒙克(ke)(ke)的繪畫成(cheng)了苦澀的爭論對(dui)象，畫展在一星期后結束。在柏林，愛德華·蒙克(ke)(ke)成(cheng)了一個國際圈子里(li)(li)的一員，里(li)(li)面有作家(jia)(jia)(jia)、藝術(shu)家(jia)(jia)(jia)和(he)評(ping)論家(jia)(jia)(jia)，包括挪威劇作家(jia)(jia)(jia)亨(heng)利·易(yi)卜生和(he)瑞典(dian)戲劇家(jia)(jia)(jia)奧(ao)古斯特(te)(te)·史特(te)(te)林堡。愛德華·蒙克(ke)(ke)為易(yi)卜生的幾個劇本(ben)設計(ji)了布景。
1893年(nian)12月(yue)，愛(ai)德(de)華·蒙(meng)克(ke)(ke)(ke)在柏林著名的(de)(de)(de)菩提(ti)樹(shu)下大街開(kai)畫展。和(he)(he)其它(ta)作品一起(qi)，愛(ai)德(de)華·蒙(meng)克(ke)(ke)(ke)出展了(le)題(ti)為“愛(ai)的(de)(de)(de)研(yan)究(jiu)系(xi)列”，由六幅畫所(suo)組成。這是他此后(hou)命(ming)(ming)名為“生命(ming)(ming)的(de)(de)(de)飾帶(dai) 以 生命(ming)(ming)、愛(ai)情和(he)(he)死亡的(de)(de)(de)詩”組畫的(de)(de)(de)起(qi)點。它(ta)包括深(shen)深(shen)地沉(chen)浸于(yu)大氣的(de)(de)(de)主(zhu)題(ti)《風暴》《月(yue)光》和(he)(he)《星夜》。其它(ta)主(zhu)題(ti)有揭示愛(ai)的(de)(de)(de)陰暗(an)面的(de)(de)(de)，比如(ru)《玫(mei)瑰與阿美莉》和(he)(he)《吸血鬼》。《病室里(li)的(de)(de)(de)死亡》則以死亡為主(zhu)題(ti)，基(ji)于(yu)愛(ai)德(de)華·蒙(meng)克(ke)(ke)(ke)對姐(jie)姐(jie)蘇菲之(zhi)死的(de)(de)(de)回憶。
1894年，“生命的飾(shi)帶(dai)”加進(jin)了《焦躁(zao)》《灰燼(jin)》《圣母》和(he)《女(nv)人(ren)三階(jie)段》作品集。在(zai)世(shi)紀之交之際，愛德華·蒙克完成了他的“生命的飾(shi)帶(dai)”組畫(hua)系列。
1908年秋，他(ta)的焦(jiao)慮(lv)變得深(shen)刻(ke)并在丹尼爾·賈可(ke)布遜博士的診所住(zhu)院接受治療(liao)。醫院里施行的休克療(liao)法改(gai)變了他(ta)的個性(xing)。
1909年愛(ai)(ai)德華(hua)(hua)·蒙克(ke)(ke)回到挪威(wei)，更(geng)多地表現(xian)出對大自然的(de)興(xing)趣，他的(de)作品變(bian)得更(geng)富于(yu)色彩，減少了(le)悲(bei)觀的(de)成分。在納(na)粹統(tong)治期間(jian)，愛(ai)(ai)德華(hua)(hua)·蒙克(ke)(ke)的(de)作品被貼上了(le)“頹廢(fei)藝(yi)術”的(de)標簽，從德國的(de)各(ge)個美術館撤了(le)下(xia)來(lai)。反納(na)粹主義的(de)愛(ai)(ai)德華(hua)(hua)·蒙克(ke)(ke)來(lai)說(shuo)是(shi)很傷心的(de)，因(yin)為他把德國看作為他的(de)第(di)二祖(zu)國。
1944年1月(yue)23日，愛德華·蒙(meng)克(ke)于奧斯陸(lu)附近(jin)的(de)艾(ai)可利與世長辭(ci)。他向奧斯陸(lu)捐贈了1000幅(fu)油(you)畫(hua)(hua)(hua)，15400張版畫(hua)(hua)(hua)，4500件素描和水彩(cai)畫(hua)(hua)(hua)，還(huan)有6件雕(diao)刻作品。后(hou)來為紀念(nian)愛德華·蒙(meng)克(ke)，建造了愛德華·蒙(meng)克(ke)美術(shu)館。
作品名 年份
?vre Foss
1880
Small Lake with Boat
1880
Horse and Wagon in front of Farm Buildings
1880
Autumn Work in the Field
1880
Landscape with Woman Walking by a Lake
1880
Landscape with Trees and Water
1880
Autumn in the Forest
1880
Horse and Cart on a Country Road
1880
Still Life with Pipe and Bibles
1880
View from Fossveien
1880-81
View from Fossveien
1881
Winter Landscape with House and Red Sky
1881
Potted Plant on the Window-Sill
1881-82
Potted Plant
1881-82
The Living-Room of the Misses Munch in Pilestredet 61
1881
From Vestre Aker
1881
Hakloa in Maridalen
1881
Maridalsveien in Nydalen
1881
Houses in Maridalen
1881
From Maridalen
1881
Akerselva
1881
Landscape with Woman and Child
1881
Landscape with a Small House and Two People
1881
Landscape with Lake and Forest
1881
From Bunnefjorden
1881
From Sandvika
1881
Man Rowing towards Land
1881
Bay with Boat and House
1881
Man and Woman in Boat
1881
Fisherman by the Water
1881
Christian Munch on the Couch
1881
Christian Munch on the Couch
1881
Study of a Landscape
1881
View of Grüner's Garden
1881
Gamle Aker Church
1881-82
Gamle Aker Church
1881
Gamle Aker Church
1881
Gamle Aker Church
1881
View from Fossveien 7 towards Bergfjerdingen
1881
People on the Road in Wet Snow
1881
Goblin with Christmas Porridge
1881
Still Life with Jar, Apple, Walnut and Coconut
1881
?vre Foss in Winter
1881-82
Boy in Snow
1881-82
View of the City on a Winter's Day
1882
Self-Portrait
1882
Laura Munch
1882
Laura Munch
1882
Olaf Rye's Square towards South East
1882
View across Olaf Rye's Square
1882
Olaf Rye's Square towards South East
1882
Landscape with Waterfall and House
1882
Evening Atmosphere at Sea
1882
Landscape with a Small Waterfall
1882
Spring Landscape
1882
Stream in Spring
1882
Karen Bj?lstad
1882-83
Man's Head with Beard
1882-83
The Errand Boy
1882-84
Garden with Red House
1882
Garden with Red House
1882
By the Garden Table
1882
Akerselva by Sl?motgangen
1882
Inger by the Window
1882
Akerselva by Nedre Foss
1882
Akerselva
1882
Birch Trees with Woman Walking
1882
Birch Trees in the Autumn
1882
From Vestre Aker
1882
Birch Trees and Man Carrying Twigs
1882
Autumn in Vestre Aker
1882
Woman on a Country Lane
1882
Two Boys on a Country Lane
1882
Thorvald Torgersen
1882
Thorvald Torgersen
1882
Head of a Boy
1882
Andreas Reading
1882
Andreas Reading
1882
Andreas Reading
1882
Self-Portrait
1882
Drive at Vaterland
1882
From Saxeg?rdsgate
1882
Laura Munch
1883
Otto Linthoe
1883
Study of a Man's Head
1883
Study of an Old Man's Head
1883
Head of an Old Man with Beard
1883
Study of an Old Man's Head
1883
Afternoon at Olaf Rye's Square
1883
Street Corner on Karl Johan, Grand Café
1883
Christian Munch on the Couch
1883
Landscape from Asker
1883
Autumn in Asker
1883
Andreas by the Window
1883
Andreas Reading
1883
The Dome of Trinity Church
1883
Study of a Head
1883
Early in the Morning
1883
Andreas Singdahlsen
1883
Hjalmar Borgstr?m
1883
Portrait of a Woman
1883
Karen Bj?lstad in the Rocking Chair
1883
Around the Paraffin Lamp
1883
At the Coffee Table
1883
At Supper
1883
The Infirmary at Helgelandsmoen
1884
Fence in the Forest
1884
Two People on the Way to the Forest
1884
Morning
1884
Christian Munch
1884
Portrait Studies
1884
Inger Munch in Black
1884
Street in Winter
1885
Ball
1885
Tête-à-tête
1885
Karl Johan
1885
Girl's Head
1885
Dagny Konow
1885
Study of an Old Man's Head
1885
Fredrik Lidemark
1885
Karl Jensen-Hjell
1885
Klemens Stang
1885
Christian Munch with Pipe
1885
Karen Bj?lstad
1885
J?rgen S?rensen
1885
Andreas Munch
1885
Cabaret
1885
The Sickroom
1885
The Sick Child
1885
Red-Haired Girl with White Rat
1886
Girl at the Piano
1886
Self-Portrait
1886
Andreas Munch Studying Anatomy
1886
Afternoon Nap
1886
Boat with Three Boys
1886
Man on the Veranda
1886
From His?ya near Arendal
1886
Woman and Children in Arendal
1886
Thorvald Torgersen
1886
Puberty
1886
The Day After
1886
Seated Young Girl
1887
Betzy Nilsen
1887
Halvard Stub Holmboe
1887
Jacob Torkildsen
1887
Forest Landscape with Small Lake
1887
Veierland near T?nsberg
1887
Two Men by the Window
1887
Law
1887
Kristiania Bohemians
1887
Self-Portrait
1888
Marius Selmer
1888
Bendix Lange
1888
Beach
1888
The T?nsberg Fjord
1888
On the Pier
1888
Man Binding Fishnet
1888
Karen Bj?lstad
1888
Evening
1888
Summer Day on the Pier
1888
Laura and Inger in the Summer Sun
1888
Evening
1888
Inger in Sunshine
1888
At the General Store in Vrengen
1888
Andreas Bj?lstad
1888
Aasta Carlsen
1888
Man Standing in the Doorway
1889
Karl D?rnberger
1889
Charlotte D?rnberger
1889
Georg Stang
1889
John Hazeland on his Deathbed
1889
Spring
1889
Hans J?ger
1889
From Karl Johan
1889
Music on Karl Johan
1889
Beach Landscape from?sg?rdstrand
1889
Beach
1889
From ?sg?rdstrand
1889
Beach Landscape
1889
Shore
1889
Summer Night. Inger on the Beach
1889
Summer Evening
1889
Summer
1889
Summer in ?sg?rdstrand
1889
Morten Damme's House near ?sgardstrand
1889
Standing Female Nude
1889
A French Tavern (Two Men and a Woman)
1890
The Canal near Paris (with a Small Streamboat)
1890
A Woman (in Half-figure) with Landscape (Returned from Victoria terrasse)
1890
A Small Beach Study
1890
Night in Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
At the Wine Merchant's
1890
In the Bar
1890
In the Café
1890
Norwegian Spring Landscape
1890
Landscape
1890
The Streamboat Arrives
1890
Beach
1890
Spring Day on Karl Johan
1890
Sunny Day in ?sg?rdstrand
1890
Garden Path
1890
Woman in Evening Landscape
1890
Landscape
1890
View from Hauketo
1890
View from Hauketo
1890
Landscape
1890
The Absinth Drinkers
1890
Two Children
1890
Under the Palm Trees in Nice
1891
Afternoon on the Promenade des Anglais
1891
Morning on the Promenade des Anglais
1891
Sunny Day in Nice
1891
Rooftops in Nice
1891
Night in Nice
1891
Fisherboy from Nice
1891
Boy's Head
1891
Young Woman in Blue
1891
Young Woman in Blue
1891
Model Scratching her Arm
1891
Rue Lafayette
1891
Rue de Rivoli
1891
Sunday in ?sgardstrand
1891
Young Blond Girl
1891
Summer Evening in ?sgardstrand
1891
In Open Air
1891
Summer
1891
Eroticism on a Summer Evening
1891
Karl Johan in the Rain
1891
Evening. Melancholy
1891
Woman in Blue against Blue Water
1891
Old Fisherman
1891
Pine Forest
1891
Summer Day in the Forest
1891
Forest Landscape
1891
From Nordstrand
1891
Landscape in Moonlight
1891
Woman by the Balustrade
1891
Inger in a White Blouse
1891
no:Jappe Nilssen
1891
Arve Arvesen
1891
Gunnar Heiberg
1891
Helge Rode
1891
Olga Buhre
1891
Alexandra Thaulow
1891
Kiss by the Window
1891
The Day After
1891
Munch Museum, Oslo, Norway
1892
Childhood Memory
1892
Gamblers in Monte Carlo
1892
Gamblers in Monte Carlo
1892
At the Roulette Table in Monte Carlo
1892
Sick Mood at Sunset. Despair
1892
Cypress in Moonlight
1892
Kiss by the Window
1892
The Kiss
1892
The Girl by the Window
1892
Woman Combing her Hair
1892
Woman Looking in the Mirror
1892
After the Bath
1892
From the Riviera
1892
From the Riviera
1892
Moonlight by the Mediterranean
1892
A Pine
1892
Trees by the Mediterranean
1892
From the Riviera
1892
Men Flocking round Women in Light Clothing
1892
Forest
1892
Moonlight on the Beach
1892
Mystery on the Shore
1892
Mystery on the Shore
1892
Two Human Beings. The Lonely Ones
1892
Melancholy
1892
Night in Saint-Cloud
1892
Night in Saint-Cloud
1892-93
Night in Saint-Cloud
1892
Vision
1892
The Water Lillies
1892-93
Evening on Karl Johan
1892
From Nordstrand
1892
On the Veranda
1892
Inger by the Window
1892
Inger in Black and Violet
1892
Seated Young Woman
1892
Autumn Rain
1892
Jakob Bratland
1892
Ludvig Meyer
1892
Thor Lütken
1892
Ragnhild andDagny Juel
1892-93
August Strindberg
1892
Night in Saint-Cloud
1893
The Girl by the Window
1893
Study of a Model
1893
Separation
1893
Woman with Red Hat
1893-94
Symbolic Study
1893-94
Portrait of a Man
1893-94
Woman's head against a red Background
1893-94
Self-Portrait under the Mask of a Woman
1893
Seated Nude and Grotesque Masque
1893
Sunrise in the Harbour
1893-94
Rosa and Amelie
1893
Sunrise in ?sg?rdstrand
1893-94
Summer Night
1893
Melancholy
1893
Death at the Helm
1893
Summer Night. Mermaid
1893
Summer Night's Dream. The Voice
1893
Starry Night
1893
Starry Night
1893
Moonlight
1893
House in Moonlight
1893-95
The Storm
1893
Death and Spring
1893
The Angel of Death
1893
By the Deathbed. Fever
1893
Death in the Sickroom
1893
Death in the Sickroom
1893
Death in the Sickroom
1893
Vampire
1893
The Scream
1893
The Scream
1893
Vampire
1893
Vampire
1893
The Hands
1893-94
Dagny Juel Przybyszewska
1893
Helge B?ckstr?m
1893
Minchen Torkildsen
1893
Ragnhild B?kstr?m
1894
Botho Graf Schwerin
1894
Ebehard von Bodenhausen
1894
Julius Meier-Graefe
1894
Separation
1894
Death and Life
1894
Puberty
1894
Puberty
1894-95
The Day After
1894
Vampire
1894
Selma Fontheim
1894
Selma Fontheim
1894
Nora Mengelberg
1894
Ludvig Meyer's Children
1894
Stanislaw Przybyszewski
1894
Inger in a Red Dress
1894
Bathing Women
1894
Bathers
1894
Bathing Boys
1894
Melancholy
1894
Melancholy
1894-96
Woman. Sphinx
1894
Woman
1894
Anxiety
1894
Despair
1894
Madonna
1894
Madonna
1894-95
Madonna
1895
Madonna
1895-97
Madonna
1895-97
Berlin Model
1895
Cabaret
1895
The Scream
1895
Vampire
1895
The Smell of Death
1895
The Smell of Death
1895
At the Deathbed
1895
Vampire
1895
Ashes
1895
Jealousy
1895
Beach in ?sg?rdstrand
1895
Moonlight
1895
Self-Portrait with Cigarette
1895
Stanislaw Przybyszewski
1895
Oscar and Ingeborg Heiberg
1895-96
Half-Nude in a Black Skirt
1896
Study of a Nude
1896
Young Woman Washing herself
1896
Seated Nude against a Red Background
1896
Seated Nude with her Back Turned
1896
The Mermaid
1896
Summer Landscape
1896
The Sick Child
1896
Separation
1896
Summer Night. The Voice
1896
The Girl by the Window
1896-97
Bathing Woman
1896-97
The Kiss
1896-97
Women in a Swimming Pool
1896-97
Paul Herrmann and Paul Contard
1897
The Kiss
1897
The Kiss
1897
Inheritance
1897-99
Women in Hospital
1897
Mother and Daughter
1897-99
Two Women in a Landscape
1897-99
Old Man with a Beard
1897-99
Brothel Scene
1897-99
Hospital Ward
1897-99
Bathing Boys
1897-98
Bathing Boys
1897-99
Bathing Girls
1897-99
Bathing Children
1897-99
Bathing Boys
1897-99
Autumn
1897-98
Marie Helene Holmboe
1898
Female Portrait
1898-99
Dark-Haired Man and Red-Haired Woman
1898-99
Holger Drachmann
1898
Henrik Ibsenat theGrand Café
1898
Study of a Model
1898
Half-Nude in a Blue Skirt
1898
Nude
1898
Nude
1898
Two Women. Symbolic Study
1898
Sitting Nude by the Beach
1898
Man and Woman
1898
Nude in Profile towards the Right
1898
Metabolism
1898-99
Tulla Larsen
1898-99
Tulla Larsen
1898-99
Father and Son
1898
Seated Nude and Three Male Heads
1898-99
Tragedy
1898
Jealousy in the Bath
1898
Beach
1898
The Rainbow
1898
Woman by the Sea in ?sgardstrand
1898
House with Red Virginia Creeper
1898-99
House with Red Virginia Creeper
1898-99
Red Virginia Creeper
1898-1900
The Son
1904
The Coffin is Carried Out
1898-1900
Boulevard in Paris
1898-1900
Winter
1899-1900
Winter in the Woods, Nordstrand
1899
Death and the Child
1899
Death and the Child
1899
Landscape
1899
The Garden
1899
Munch's House and Studio in ?sgardstrand
1899
Munch's House in ?sg?rdstrand
1899
Dark Spruce Forest
1899
在當(dang)時哲(zhe)學和(he)美學思潮影響下，他努力(li)發掘人類心靈中的各種狀況，表(biao)現疾(ji)病(bing)、死亡、絕望、情(qing)愛等主題。因此，他的創作(zuo)有“心靈的現實(shi)主義(yi)”的稱號(hao)。由于(yu)受到保守勢力(li)的攻擊，很快(kuai)被封閉(bi)，但對德國青(qing)年畫家(jia)以(yi)很大的刺(ci)激，推動了表(biao)現主義(yi)運動的產生。
愛(ai)德華(hua)·蒙克通(tong)過(guo)主(zhu)題來表(biao)現(xian)他(ta)切身經(jing)歷的(de)(de)(de)(de)(de)(de)(de)(de)(de)對生(sheng)存和死亡(wang)的(de)(de)(de)(de)(de)(de)(de)(de)(de)感受。每一(yi)(yi)幅畫(hua)(hua)都無與倫比地(di)強烈(lie)地(di)傳達(da)著畫(hua)(hua)家的(de)(de)(de)(de)(de)(de)(de)(de)(de)感覺和情緒，被(bei)(bei)描繪的(de)(de)(de)(de)(de)(de)(de)(de)(de)具體對象(xiang)(xiang)的(de)(de)(de)(de)(de)(de)(de)(de)(de)細(xi)節(jie)被(bei)(bei)簡化，而情緒則被(bei)(bei)夸(kua)張，對象(xiang)(xiang)本身成為一(yi)(yi)種(zhong)(zhong)所(suo)要表(biao)現(xian)的(de)(de)(de)(de)(de)(de)(de)(de)(de)情緒的(de)(de)(de)(de)(de)(de)(de)(de)(de)載體，雖然它們依然還是具象(xiang)(xiang)的(de)(de)(de)(de)(de)(de)(de)(de)(de)。這些畫(hua)(hua)具有(you)永恒的(de)(de)(de)(de)(de)(de)(de)(de)(de)震懾心靈的(de)(de)(de)(de)(de)(de)(de)(de)(de)力量。在這一(yi)(yi)切的(de)(de)(de)(de)(de)(de)(de)(de)(de)背後，我們還可(ke)以看(kan)見那個“世紀末”的(de)(de)(de)(de)(de)(de)(de)(de)(de)景象(xiang)(xiang)，那種(zhong)(zhong)迷途的(de)(de)(de)(de)(de)(de)(de)(de)(de)欲望深淵和無法逃脫的(de)(de)(de)(de)(de)(de)(de)(de)(de)死亡(wang)陰影(ying)的(de)(de)(de)(de)(de)(de)(de)(de)(de)怪圈(quan)，生(sheng)命的(de)(de)(de)(de)(de)(de)(de)(de)(de)焦(jiao)躁(zao)和無奈交(jiao)織(zhi)在一(yi)(yi)起。愛(ai)德華(hua)·蒙克作品的(de)(de)(de)(de)(de)(de)(de)(de)(de)驚人表(biao)現(xian)力量來自于對藝術(shu)家內(nei)心世界的(de)(de)(de)(de)(de)(de)(de)(de)(de)不(bu)加掩飾的(de)(de)(de)(de)(de)(de)(de)(de)(de)忠實表(biao)達(da)，愛(ai)德華(hua)·蒙克的(de)(de)(de)(de)(de)(de)(de)(de)(de)畫(hua)(hua)是用整(zheng)個心靈來創作的(de)(de)(de)(de)(de)(de)(de)(de)(de)。
愛德(de)華·蒙(meng)克(ke)的(de)(de)(de)作(zuo)品(pin)筆(bi)觸(chu)大膽奔放(fang)、色彩(cai)艷麗豐富，但卻給人(ren)強烈的(de)(de)(de)刺激感，充滿著緊張不安(an)、壓抑(yi)悲傷(shang)的(de)(de)(de)情(qing)緒。愛德(de)華·蒙(meng)克(ke)所描(miao)繪的(de)(de)(de)世界是(shi)人(ren)類復雜(za)的(de)(de)(de)精神世界，他刻意(yi)表現死亡(wang)、憂郁和(he)孤(gu)獨(du)，描(miao)寫上世紀末(mo)的(de)(de)(de)藝術家在充滿矛盾與痛(tong)苦的(de)(de)(de)現實中，其孤(gu)獨(du)的(de)(de)(de)心靈對人(ren)生產生的(de)(de)(de)懷疑和(he)焦慮。
藝術史家稱愛(ai)德華(hua)·蒙克為(wei)“世(shi)紀(ji)末”的(de)(de)(de)藝術家，因(yin)為(wei)他(ta)的(de)(de)(de)作品反映了歐洲整整一代人的(de)(de)(de)精(jing)神生活面貌。在愛(ai)德華(hua)·蒙克生活的(de)(de)(de)時代，再(zai)沒有別的(de)(de)(de)藝術能夠像他(ta)那(nei)(nei)樣深(shen)入到人的(de)(de)(de)靈魂之中，把那(nei)(nei)心靈的(de)(de)(de)美與(yu)丑一并(bing)展現給(gei)世(shi)人。也沒有人敢于像他(ta)那(nei)(nei)樣赤(chi)裸裸地描寫人類本能的(de)(de)(de)丑惡，使善良與(yu)罪惡并(bing)存，讓美麗(li)與(yu)丑陋共(gong)生。
歲月靜好 
