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《鄭燮雙松圖》是清代(dai)畫家鄭燮作(zuo)于乾隆(long)二十(shi)三年(nian)（1758年(nian)）的(de)畫作(zuo)。

鄭(zheng)(zheng)燮(xie)雙松(song)(song)圖，清畫家鄭(zheng)(zheng)燮(xie)作(zuo)于(yu)乾隆二十(shi)三(san)年(nian)(nian)(nian)(1758年(nian)(nian)(nian))。紙本(ben)，墨(mo)筆，縱201厘(li)米(mi)，橫101厘(li)米(mi)。此圖繪水墨(mo)雙松(song)(song)，一主(zhu)一輔(fu)，一濃(nong)一淡。濃(nong)者(zhe)以干筆寫樹(shu)干，濕筆寫松(song)(song)針(zhen)；淡者(zhe)樹(shu)干干濕并用(yong)，松(song)(song)針(zhen)用(yong)濕筆。松(song)(song)針(zhen)均無暈染。雙松(song)(song)周(zhou)圍有(you)小(xiao)竹(zhu)(zhu)三(san)五成叢，另有(you)新篁(huang)數(shu)竿與雙松(song)(song)錯落為鄰。作(zuo)者(zhe)賦(fu)予雙松(song)(song)樸(pu)茂(mao)的人(ren)格(ge)，借(jie)以抒(shu)發情懷。作(zuo)者(zhe)題記(ji)云：“乾隆二年(nian)(nian)(nian)丁巳，始得接交(jiao)于(yu)肅翁同(tong)學(xue)老(lao)長兄，見(jian)其(qi)樸(pu)茂(mao)忠(zhong)實，綽有(you)古意，如松(song)(song)柏之(zhi)(zhi)(zhi)(zhi)(zhi)在(zai)巖阿，眾芳不(bu)及(ji)也(ye)。后十(shi)余年(nian)(nian)(nian)再(zai)會(hui)，如故。又三(san)年(nian)(nian)(nian)復合，亦(yi)如故。豈非松(song)(song)柏之(zhi)(zhi)(zhi)(zhi)(zhi)質本(ben)于(yu)性生，春夏無所爭榮，秋冬亦(yi)不(bu)見(jian)其(qi)搖落耶(ye)?因畫雙松(song)(song)圖奉贈。弟至(zhi)不(bu)材(cai)，亦(yi)竊附松(song)(song)之(zhi)(zhi)(zhi)(zhi)(zhi)列，以為二老(lao)人(ren)者(zhe)相好(hao)相倚之(zhi)(zhi)(zhi)(zhi)(zhi)一證也(ye)。又畫小(xiao)竹(zhu)(zhu)襯貼其(qi)間，作(zuo)竹(zhu)(zhu)苞松(song)(song)茂(mao)之(zhi)(zhi)(zhi)(zhi)(zhi)意，以見(jian)公(gong)子孫承承繩(sheng)(sheng)繩(sheng)(sheng)，皆賢人(ren)哲(zhe)士(shi)，蓋樸(pu)茂(mao)忠(zhong)實之(zhi)(zhi)(zhi)(zhi)(zhi)報有(you)必然者(zhe)。乾隆二十(shi)三(san)年(nian)(nian)(nian)歲(sui)在(zai)戊寅三(san)月(yue)二日(ri)，板橋(qiao)弟鄭(zheng)(zheng)燮(xie)畫并題。夾敘夾議，內寓哲(zhe)理，是一則(ze)文(wen)筆頗好(hao)的小(xiao)品文(wen)。題記(ji)后鈐“鄭(zheng)(zheng)燮(xie)之(zhi)(zhi)(zhi)(zhi)(zhi)印”(白文(wen))、“二十(shi)年(nian)(nian)(nian)前舊(jiu)板橋(qiao)”(朱文(wen))。右(you)下押角章：“七品官耳”(白文(wen))、“丙(bing)辰進士(shi)”(朱文(wen))。鄭(zheng)(zheng)燮(xie)素以寫意蘭竹(zhu)(zhu)著(zhu)名，以松(song)(song)為題材(cai)者(zhe)實不(bu)多見(jian)。此圖中(zhong)墨(mo)竹(zhu)(zhu)亦(yi)與習見(jian)風格(ge)不(bu)同(tong)。整個畫幅樸(pu)茂(mao)凝重，剛勁雅(ya)潔，實屬鄭(zheng)(zheng)氏(shi)平生精心(xin)之(zhi)(zhi)(zhi)(zhi)(zhi)作(zuo)，得意之(zhi)(zhi)(zhi)(zhi)(zhi)作(zuo)。藏山(shan)東省博物館。