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《鄭燮雙松圖(tu)》是清代畫(hua)家鄭燮作于乾隆(long)二十三年（1758年）的畫(hua)作。

鄭(zheng)(zheng)燮雙(shuang)松(song)(song)(song)(song)圖(tu)(tu)，清畫家鄭(zheng)(zheng)燮作于(yu)(yu)乾隆二(er)十三(san)年(nian)(nian)(1758年(nian)(nian))。紙(zhi)本，墨筆，縱201厘米，橫101厘米。此圖(tu)(tu)繪水墨雙(shuang)松(song)(song)(song)(song)，一主一輔，一濃一淡。濃者(zhe)以(yi)(yi)(yi)干(gan)(gan)筆寫樹干(gan)(gan)，濕(shi)筆寫松(song)(song)(song)(song)針；淡者(zhe)樹干(gan)(gan)干(gan)(gan)濕(shi)并用，松(song)(song)(song)(song)針用濕(shi)筆。松(song)(song)(song)(song)針均無暈染。雙(shuang)松(song)(song)(song)(song)周圍有(you)(you)小竹三(san)五成叢(cong)，另有(you)(you)新篁數竿與雙(shuang)松(song)(song)(song)(song)錯落為鄰。作者(zhe)賦予雙(shuang)松(song)(song)(song)(song)樸(pu)(pu)(pu)茂(mao)的人格，借以(yi)(yi)(yi)抒發情懷(huai)。作者(zhe)題記(ji)云(yun)：“乾隆二(er)年(nian)(nian)丁(ding)巳，始得(de)接交(jiao)于(yu)(yu)肅(su)翁(weng)同(tong)學老長兄(xiong)，見其(qi)樸(pu)(pu)(pu)茂(mao)忠(zhong)實(shi)(shi)，綽有(you)(you)古意，如(ru)(ru)松(song)(song)(song)(song)柏(bo)之(zhi)在(zai)巖阿，眾芳不(bu)及也(ye)。后十余年(nian)(nian)再會(hui)，如(ru)(ru)故。又(you)三(san)年(nian)(nian)復合，亦(yi)如(ru)(ru)故。豈非(fei)松(song)(song)(song)(song)柏(bo)之(zhi)質本于(yu)(yu)性生(sheng)，春夏無所爭榮，秋冬亦(yi)不(bu)見其(qi)搖落耶(ye)?因(yin)畫雙(shuang)松(song)(song)(song)(song)圖(tu)(tu)奉贈。弟至不(bu)材，亦(yi)竊附(fu)松(song)(song)(song)(song)之(zhi)列，以(yi)(yi)(yi)為二(er)老人者(zhe)相(xiang)好(hao)相(xiang)倚之(zhi)一證也(ye)。又(you)畫小竹襯(chen)貼(tie)其(qi)間，作竹苞松(song)(song)(song)(song)茂(mao)之(zhi)意，以(yi)(yi)(yi)見公子孫(sun)承承繩繩，皆(jie)賢人哲(zhe)士，蓋(gai)樸(pu)(pu)(pu)茂(mao)忠(zhong)實(shi)(shi)之(zhi)報有(you)(you)必(bi)然者(zhe)。乾隆二(er)十三(san)年(nian)(nian)歲在(zai)戊(wu)寅三(san)月(yue)二(er)日，板橋弟鄭(zheng)(zheng)燮畫并題。夾敘(xu)夾議，內寓哲(zhe)理，是一則文(wen)筆頗好(hao)的小品(pin)文(wen)。題記(ji)后鈐“鄭(zheng)(zheng)燮之(zhi)印”(白文(wen))、“二(er)十年(nian)(nian)前舊板橋”(朱文(wen))。右(you)下押角章：“七品(pin)官(guan)耳”(白文(wen))、“丙(bing)辰(chen)進士”(朱文(wen))。鄭(zheng)(zheng)燮素以(yi)(yi)(yi)寫意蘭(lan)竹著名，以(yi)(yi)(yi)松(song)(song)(song)(song)為題材者(zhe)實(shi)(shi)不(bu)多見。此圖(tu)(tu)中墨竹亦(yi)與習(xi)見風(feng)格不(bu)同(tong)。整(zheng)個畫幅樸(pu)(pu)(pu)茂(mao)凝重，剛勁雅潔，實(shi)(shi)屬鄭(zheng)(zheng)氏(shi)平生(sheng)精心(xin)之(zhi)作，得(de)意之(zhi)作。藏山東(dong)省博物(wu)館(guan)。