蓋自洪武開元,至于(yu)永樂大帝,歷經(jing)(jing)數十載,四方(fang)得以(yi)(yi)(yi)平息。成祖(zu)遂遷都京(jing)師(shi),威加(jia)海(hai)內(nei),始創大明(ming)之(zhi)(zhi)(zhi)(zhi)(zhi)盛。而中華(hua)威名亦遠(yuan)播四海(hai),但(dan)聞(wen)華(hua)夏之(zhi)(zhi)(zhi)(zhi)(zhi)名者(zhe),莫不(bu)翹首稱贊(zan),四方(fang)朝拜。然論(lun)功行賞(shang),三(san)寶太監(jian)當為(wei)首功。念往(wang)昔,鄭和(he)七下西(xi)洋,浩(hao)浩(hao)蕩(dang)蕩(dang),艦隊(dui)之(zhi)(zhi)(zhi)(zhi)(zhi)強大,當屬世(shi)界之(zhi)(zhi)(zhi)(zhi)(zhi)首,沿(yan)路經(jing)(jing)過,大小各(ge)國無(wu)不(bu)震(zhen)撼,皆(jie)以(yi)(yi)(yi)寶物互(hu)換,其(qi)(qi)時,中華(hua)以(yi)(yi)(yi)瓷器、茶葉、絲綢為(wei)主,外人當以(yi)(yi)(yi)本(ben)地至寶換之(zhi)(zhi)(zhi)(zhi)(zhi)。鄭和(he)之(zhi)(zhi)(zhi)(zhi)(zhi)后,海(hai)外乃通,西(xi)方(fang)行商者(zhe)皆(jie)魚貫而入,一時間,海(hai)上貿(mao)易頻(pin)繁,物流之(zhi)(zhi)(zhi)(zhi)(zhi)盛更古未有,更有家具收藏(zang)愛好者(zhe),攜榆木家具至海(hai)外,西(xi)方(fang)人見之(zhi)(zhi)(zhi)(zhi)(zhi),嘆為(wei)觀止,一嘆其(qi)(qi)工藝(yi)之(zhi)(zhi)(zhi)(zhi)(zhi)絕倫,二嘆其(qi)(qi)設計之(zhi)(zhi)(zhi)(zhi)(zhi)獨特,竟(jing)以(yi)(yi)(yi)重金買之(zhi)(zhi)(zhi)(zhi)(zhi),收之(zhi)(zhi)(zhi)(zhi)(zhi),藏(zang)之(zhi)(zhi)(zhi)(zhi)(zhi)。
問(wen)道有(you)先后,術業(ye)有(you)專(zhuan)攻。御(yu)景(jing)源榆木家具,究天人之(zhi)(zhi)(zhi)際,得(de)自(zi)然(ran)之(zhi)(zhi)(zhi)法,榫卯(mao)結(jie)構,不用一(yi)釘(ding)一(yi)金(jin),其工藝之(zhi)(zhi)(zhi)精確,扣合之(zhi)(zhi)(zhi)嚴密,具有(you)天衣無縫之(zhi)(zhi)(zhi)感。
御景(jing)源(yuan),源(yuan)自宮廷世(shi)(shi)家,以(yi)不(bu)世(shi)(shi)之(zhi)工(gong)藝,承華夏之(zhi)精髓,鑄傳世(shi)(shi)經典(dian)。觀(guan)其(qi)(qi)品,如置身重(zhong)山碧水間,蕩舟漫游,怡然自得,觀(guan)其(qi)(qi)神,如墜云霧(wu),游曳于彩霞(xia)之(zhi)間,神仙(xian)羨慕。附(fu)耳傾聽,若(ruo)天籟神曲,如絲(si)如縷,余(yu)音(yin)裊裊,不(bu)絕于耳。御景(jing)源(yuan)之(zhi)品,形神兼備,內(nei)外(wai)兼修(xiu),當是文人雅士,名流(liu)貴(gui)胄,收(shou)藏之(zhi)珍品。
御景(jing)源(yuan),起于黃埔江畔,創(chuang)于世(shi)紀之(zhi)(zhi)交,幾經風(feng)雨(yu),品質更加絕倫,百姓愛之(zhi)(zhi),上(shang)流惜之(zhi)(zhi),以萬千神韻獨(du)釀華夏之(zhi)(zhi)風(feng)采。看古今變化(hua),行業風(feng)起云涌,御景(jing)源(yuan)以不變應萬變,自主(zhu)創(chuang)新(xin),誠信至上(shang),必將一翅沖天,走出國門,于四海之(zhi)(zhi)內播(bo)撒中(zhong)華文化(hua),傳華夏之(zhi)(zhi)文明(ming),讓世(shi)界感享(xiang)御景(jing)源(yuan)品質。