十之最
全國會館之最
煌壯(zhuang)據有關資在全(quan)國(guo)(guo)(guo)現(xian)存80余座(zuo)會(hui)(hui)館(guan)類(lei)古建(jian)筑(zhu)群中(zhong),社(she)旗(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)以其建(jian)筑(zhu)規模最(zui)為(wei)(wei)宏偉、保存最(zui)為(wei)(wei)完好(hao)、建(jian)筑(zhu)裝飾工藝(yi)最(zui)為(wei)(wei)精湛,商(shang)業文化內涵最(zui)為(wei)(wei)豐(feng)富(fu),而(er)于 1988年元月(yue),首(shou)家(jia)被國(guo)(guo)(guo)務院公(gong)布為(wei)(wei)全(quan)國(guo)(guo)(guo)第(di)三批(pi)重點文物保護單(dan)位(wei)。后相(xiang)繼被批(pi)準為(wei)(wei)國(guo)(guo)(guo)保單(dan)位(wei)的四川自(zi)貢(gong)西(xi)秦會(hui)(hui)館(guan)與(yu)山(shan)東聊(liao)城山(shan)陜(shan)會(hui)(hui)館(guan),其占地面(mian)(mian)積(ji)均(jun)各為(wei)(wei) 3000余平(ping)方米,而(er)社(she)旗(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)的占地面(mian)(mian)積(ji)達13000平(ping)方米,建(jian)筑(zhu)面(mian)(mian)積(ji)即(ji)達6000余平(ping)方米,遠(yuan)遠(yuan)高出以上二館(guan)數倍之多(duo)。國(guo)(guo)(guo)家(jia)多(duo)位(wei)權威(wei)古建(jian)筑(zhu)專(zhuan)家(jia)均(jun)對社(she)旗(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)給予高度贊(zan)譽(yu)與(yu)評價(jia),原(yuan)國(guo)(guo)(guo)家(jia)文物局(ju)局(ju)長呂濟民題詞贊(zan)為(wei)(wei):“藝(yi)術輝煌,絕(jue)無僅有”,原(yuan)故宮(gong)博物院副院長單(dan)士元題詞贊(zan)為(wei)(wei)“輝煌壯(zhuang)麗(li),天(tian)下第(di)一(yi)”。由此而(er)確立了社(she)旗(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)在全(quan)國(guo)(guo)(guo)現(xian)存會(hui)(hui)館(guan)類(lei)建(jian)筑(zhu)最(zui)具(ju)代(dai)表性的首(shou)屈一(yi)指之地位(wei),被全(quan)國(guo)(guo)(guo)多(duo)位(wei)著名(ming)專(zhuan)家(jia)一(yi)致(zhi)公(gong)認(ren)為(wei)(wei)“中(zhong)國(guo)(guo)(guo)第(di)一(yi)會(hui)(hui)館(guan)”。
琉璃照壁之最
“琉璃(li)照(zhao)壁(bi)之(zhi)(zhi)最”不是指其(qi)規模最大,而(er)是指其(qi)裝飾(shi)工(gong)藝最為獨(du)特(te)。照(zhao)壁(bi)作(zuo)為中國(guo)(guo)古(gu)建(jian)筑的特(te)有形式(shi),其(qi)裝飾(shi)風(feng)格(ge)主要(yao)有兩種(zhong):一為“海(hai)漫式(shi)”,即(ji)以整幅壁(bi)面組成一幅完(wan)整的圖案(an)(an),多以龍與(yu)(yu)海(hai)水(shui)圖案(an)(an)為主,如(ru)北(bei)京(jing)北(bei)海(hai)之(zhi)(zhi)九龍壁(bi),山西大同之(zhi)(zhi)九龍壁(bi)等(deng)(deng);二(er)為“盒(he)(he)子(zi)(zi)式(shi)”,僅以磚雕或石雕裝飾(shi)照(zhao)壁(bi)壁(bi)面的中心部(bu)位,或為菱形,或為橢圓形,稱(cheng)之(zhi)(zhi)為盒(he)(he)子(zi)(zi)。全國(guo)(guo)現存會(hui)館(guan)(guan)類(lei)建(jian)筑或其(qi)它民間(jian)古(gu)建(jian)筑中之(zhi)(zhi)照(zhao)壁(bi)多為此(ci)(ci)種(zhong)形式(shi)。而(er)社旗山陜(shan)會(hui)館(guan)(guan)的琉璃(li)照(zhao)壁(bi)則系將海(hai)漫式(shi)與(yu)(yu)盒(he)(he)子(zi)(zi)式(shi)兩種(zhong)風(feng)格(ge)完(wan)美結合(he)于(yu)一體(ti),將各種(zhong)琉璃(li)燒制的吉(ji)祥(xiang)植物、吉(ji)祥(xiang)動物、神(shen)獸,匾(bian)額(e)與(yu)(yu)楹聯(lian)、變形“福”“壽”字等(deng)(deng)圖案(an)(an)巧妙組合(he)成一幅內容豐富(fu)、寓意深刻的完(wan)整畫(hua)面,既(ji)有相對獨(du)立的“盒(he)(he)子(zi)(zi)”裝飾(shi),又有海(hai)漫式(shi)的畫(hua)面效果;主次(ci)分明,銜接自然(ran);既(ji)富(fu)麗堂(tang)皇(huang),又和諧流(liu)暢;既(ji)給人以直觀(guan)的美感享受(shou),又富(fu)有厚(hou)重的文化內涵(han)。為此(ci)(ci)可稱(cheng)為全國(guo)(guo)會(hui)館(guan)(guan)類(lei)建(jian)筑照(zhao)壁(bi)裝飾(shi)藝術之(zhi)(zhi)最。
鐵旗桿之最
鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)是(shi)“武廟(miao)(miao)”即(ji)關(guan)帝廟(miao)(miao)建(jian)筑(zhu)的(de)(de)特有裝飾。社旗(qi)(qi)(qi)(qi)(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)兩株鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)立于(yu)清嘉慶(qing)二(er)(er)(er)十(shi)二(er)(er)(er)年(nian),重五(wu)萬(wan)余(yu)斤,高二(er)(er)(er)十(shi)余(yu)米。據《南陽賒旗(qi)(qi)(qi)(qi)(qi)(qi)鎮(zhen)山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)記》碑(bei)文(wen)載:當時會(hui)(hui)館(guan)(guan)(guan)(guan)建(jian)成之(zhi)(zhi)(zhi)時,“獨贏三千余(yu)金。廟(miao)(miao)之(zhi)(zhi)(zhi)壯麗不(bu)可(ke)有加,又不(bu)可(ke)折空(kong)金入私(si)。因鑄鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)二(er)(er)(er)株重五(wu)萬(wan)余(yu)斤,樹于(yu)大門之(zhi)(zhi)(zhi)左右(you)。……山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)遍天下,皆宏敞可(ke)觀。第朱(zhu)仙(xian)鎮(zhen)有鐵(tie)(tie)桿(gan)(gan)今(jin)于(yu)賒旗(qi)(qi)(qi)(qi)(qi)(qi)鎮(zhen)再見(jian)。”由此(ci)可(ke)知,在全國各地眾(zhong)多的(de)(de)會(hui)(hui)館(guan)(guan)(guan)(guan)類建(jian)筑(zhu)中,當時僅有朱(zhu)仙(xian)鎮(zhen)與賒旗(qi)(qi)(qi)(qi)(qi)(qi)鎮(zhen)山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)建(jian)有此(ci)類鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)。今(jin)朱(zhu)仙(xian)鎮(zhen)鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)已失,唯社旗(qi)(qi)(qi)(qi)(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)獨存。據有關(guan)古建(jian)筑(zhu)專(zhuan)家稱(cheng):就其重量、高度,形制之(zhi)(zhi)(zhi)完整,內容之(zhi)(zhi)(zhi)豐富,工藝之(zhi)(zhi)(zhi)精(jing)湛,造型之(zhi)(zhi)(zhi)完美而言,全國同類建(jian)筑(zhu)無出之(zhi)(zhi)(zhi)右(you)者。由此(ci)可(ke)知:社旗(qi)(qi)(qi)(qi)(qi)(qi)山(shan)陜(shan)會(hui)(hui)館(guan)(guan)(guan)(guan)鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)堪稱(cheng)全國現存古建(jian)筑(zhu)鐵(tie)(tie)旗(qi)(qi)(qi)(qi)(qi)(qi)桿(gan)(gan)之(zhi)(zhi)(zhi)最。
戲樓之最
全(quan)國(guo)現存古(gu)(gu)戲樓(lou)(lou)(lou)(lou)很多(duo),建(jian)(jian)(jian)筑(zhu)(zhu)各(ge)有特(te)(te)色(se)。但若(ruo)論其建(jian)(jian)(jian)筑(zhu)(zhu)之(zhi)(zhi)宏偉、裝飾(shi)之(zhi)(zhi)精(jing)美,首屈一指(zhi)當推社(she)(she)旗(qi)山(shan)陜(shan)會(hui)(hui)館(guan)懸(xuan)(xuan)(xuan)鑒(jian)樓(lou)(lou)(lou)(lou)。懸(xuan)(xuan)(xuan)鑒(jian)樓(lou)(lou)(lou)(lou)興(xing)建(jian)(jian)(jian)于清嘉慶(qing)年間,高24米,為(wei)(wei)三(san)重(zhong)檐歇山(shan)頂建(jian)(jian)(jian)筑(zhu)(zhu),面(mian)南為(wei)(wei)山(shan)門,檐廊(lang)寬敞,面(mian)北(bei)為(wei)(wei)戲臺,這種(zhong)勾連搭結構獨(du)具匠(jiang)心(xin),極富特(te)(te)色(se)。戲臺上方懸(xuan)(xuan)(xuan)匾之(zhi)(zhi)上又出一飛(fei)檐,形成八(ba)角(jiao)高挑(tiao)、飄(piao)(piao)飄(piao)(piao)欲飛(fei)之(zhi)(zhi)勢。樓(lou)(lou)(lou)(lou)之(zhi)(zhi)上下左(zuo)右以技藝(yi)高超的木(mu)、石(shi)雕刻(ke)及風格(ge)獨(du)特(te)(te)的彩(cai)畫藝(yi)術(shu)裝飾(shi)得(de)美輪(lun)美奐。而且(qie)左(zuo)右輔之(zhi)(zhi)以敞開式的鐘、鼓(gu)二樓(lou)(lou)(lou)(lou),一反(fan)它處古(gu)(gu)建(jian)(jian)(jian)筑(zhu)(zhu)多(duo)將封閉式的鐘、鼓(gu)樓(lou)(lou)(lou)(lou)置于神殿兩(liang)側之(zhi)(zhi)常(chang)規(gui),使之(zhi)(zhi)形成風格(ge)別具的樂樓(lou)(lou)(lou)(lou)組群,三(san)樓(lou)(lou)(lou)(lou)翼角(jiao)交錯,似(si)分似(si)連,相(xiang)映相(xiang)襯,形成一個(ge)完美的藝(yi)術(shu)整體。已故中國(guo)古(gu)(gu)建(jian)(jian)(jian)筑(zhu)(zhu)學(xue)會(hui)(hui)會(hui)(hui)長(chang)、南京(jing)大學(xue)校(xiao)長(chang)楊廷寶(bao)先生(sheng)(sheng)(中國(guo)古(gu)(gu)建(jian)(jian)(jian)筑(zhu)(zhu)界兩(liang)大世界著名的學(xue)術(shu)泰斗(dou)之(zhi)(zhi)一,被(bei)稱(cheng)為(wei)(wei)“南楊北(bei)梁”,梁為(wei)(wei)梁啟超之(zhi)(zhi)子(zi)、北(bei)京(jing)大學(xue)教授梁思成)對(dui)此樓(lou)(lou)(lou)(lou)情有獨(du)鐘,親帶研(yan)究(jiu)生(sheng)(sheng)對(dui)該樓(lou)(lou)(lou)(lou)進(jin)行(xing)詳(xiang)細測繪、拍照,稱(cheng)贊懸(xuan)(xuan)(xuan)鑒(jian)樓(lou)(lou)(lou)(lou)為(wei)(wei)“華夏古(gu)(gu)戲樓(lou)(lou)(lou)(lou)的典(dian)范之(zhi)(zhi)作(zuo)”。為(wei)(wei)此,社(she)(she)旗(qi)山(shan)陜(shan)會(hui)(hui)館(guan)懸(xuan)(xuan)(xuan)鑒(jian)樓(lou)(lou)(lou)(lou)當之(zhi)(zhi)無愧地被(bei)稱(cheng)為(wei)(wei)“中國(guo)古(gu)(gu)戲樓(lou)(lou)(lou)(lou)之(zhi)(zhi)最”。
石雕藝術之最
以(yi)石(shi)牌(pai)坊及(ji)各殿柱(zhu)礎為代(dai)表的(de)社旗山陜會館石(shi)雕(diao)(diao)(diao)(diao)藝(yi)術(shu)(shu)集(ji)中(zhong)國古建(jian)筑(zhu)全部石(shi)雕(diao)(diao)(diao)(diao)技法于一(yi)體,其(qi)圓雕(diao)(diao)(diao)(diao)、透雕(diao)(diao)(diao)(diao)、浮(fu)(fu)雕(diao)(diao)(diao)(diao)、平(ping)雕(diao)(diao)(diao)(diao)、線(xian)雕(diao)(diao)(diao)(diao),浮(fu)(fu)雕(diao)(diao)(diao)(diao)之(zhi)素平(ping)、減地(di)平(ping)級(ji)、壓地(di)穩起(qi)、剔地(di)起(qi)突等(deng)技法,均得到恰到好處的(de)運用,反復充分的(de)展示。其(qi)雕(diao)(diao)(diao)(diao)刻形式和內容包括圓雕(diao)(diao)(diao)(diao)獅、虎、麒麟、英召等(deng)動物(wu)和神獸造(zao)(zao)(zao)型,圓雕(diao)(diao)(diao)(diao)石(shi)榴、仙桃(tao)等(deng)瓜(gua)果造(zao)(zao)(zao)型,透雕(diao)(diao)(diao)(diao)、高浮(fu)(fu)雕(diao)(diao)(diao)(diao)人物(wu)故事造(zao)(zao)(zao)型,浮(fu)(fu)雕(diao)(diao)(diao)(diao)、平(ping)雕(diao)(diao)(diao)(diao)各類花鳥(niao)、植物(wu)及(ji)吉祥裝飾圖案等(deng)。特別(bie)是其(qi)人物(wu)故事雕(diao)(diao)(diao)(diao)圖盡得我國歷代(dai)繪畫與雕(diao)(diao)(diao)(diao)刻藝(yi)術(shu)(shu)之(zhi)神韻,充分發(fa)揮繪畫與雕(diao)(diao)(diao)(diao)刻藝(yi)術(shu)(shu)之(zhi)象征性、假定性、類型化之(zhi)特征,情景交(jiao)融(rong),形神兼備,給人以(yi)藝(yi)術(shu)(shu)美的(de)享受,為眾多國內古建(jian)筑(zhu)專家(jia)交(jiao)口贊“絕”,當之(zhi)無愧的(de)被(bei)稱為中(zhong)國古建(jian)筑(zhu)“石(shi)雕(diao)(diao)(diao)(diao)藝(yi)術(shu)(shu)之(zhi)最”。
木雕藝術之最
社旗山陜會館的(de)(de)木(mu)雕(diao)(diao)(diao)裝(zhuang)飾藝(yi)術(shu)與(yu)石雕(diao)(diao)(diao)裝(zhuang)飾藝(yi)術(shu)兩相媲美,并稱“雙絕”。會館建(jian)筑(zhu)(zhu)(zhu)的(de)(de)額枋(fang)、雀(que)替、垂(chui)花門(men)樓(lou)、內檐(yan)裝(zhuang)修(xiu)之(zhi)格扇(shan)、檻板、乃(nai)至穿插梁(liang)板及檐(yan)下(xia)斗拱昂嘴、耍頭皆飾以(yi)木(mu)雕(diao)(diao)(diao),幾乎達到了無木(mu)不雕(diao)(diao)(diao)的(de)(de)地(di)步。而且以(yi)最具木(mu)雕(diao)(diao)(diao)藝(yi)術(shu)表現力的(de)(de)深(shen)透(tou)雕(diao)(diao)(diao)為主要雕(diao)(diao)(diao)作(zuo)手段(duan),其主體建(jian)筑(zhu)(zhu)(zhu)懸鑒樓(lou)、大(da)拜殿、大(da)座殿、藥王(wang)殿、馬(ma)王(wang)殿之(zhi)額枋(fang)、雀(que)替全為透(tou)雕(diao)(diao)(diao),雕(diao)(diao)(diao)鏤深(shen)度(du)達五層0.15米(mi)。其構圖(tu)空間布局均勻(yun),線條優美流暢,造型洗練(lian);大(da)量的(de)(de)人(ren)(ren)物(wu)故(gu)事(shi)雕(diao)(diao)(diao)圖(tu)形象突出,鮮(xian)活(huo)生動,夸張傳神,人(ren)(ren)物(wu)眉目、山水(shui)草木(mu),一波一紋皆精雕(diao)(diao)(diao)細鏤。從而使山陜會館的(de)(de)木(mu)雕(diao)(diao)(diao)藝(yi)術(shu)以(yi)透(tou)雕(diao)(diao)(diao)藝(yi)術(shu)之(zhi)精而享(xiang)譽國(guo)內古建(jian)筑(zhu)(zhu)(zhu)界。國(guo)家建(jian)設部顧問、著名(ming)古建(jian)筑(zhu)(zhu)(zhu)專家羅哲文、鄭孝(xiao)燮題詞(ci)贊為:“高(gao)樓(lou)杰(jie)閣,巧奪天工,精雕(diao)(diao)(diao)細琢,錦繡裝(zhuang)成,公(gong)輸匠(jiang)藝(yi),壯哉斯館”。將其雕(diao)(diao)(diao)刻裝(zhuang)飾藝(yi)術(shu)與(yu)建(jian)筑(zhu)(zhu)(zhu)業(ye)之(zhi)祖師魯班的(de)(de)匠(jiang)藝(yi)相比美,足見評(ping)價之(zhi)高(gao),為此,稱其為 “全國(guo)木(mu)雕(diao)(diao)(diao)之(zhi)最”當之(zhi)無愧。
慈(ci)(ci)禧(xi)(xi)太(tai)后御(yu)筆(bi)親書“龍(long)(long)”“虎”二(er)(er)字(zi)(zi)更(geng)可(ke)稱為(wei)全(quan)(quan)(quan)國會(hui)(hui)館(guan)(guan)“之(zhi)(zhi)最”社旗山陜會(hui)(hui)館(guan)(guan)主(zhu)殿大座殿前檐兩山所嵌之(zhi)(zhi)慈(ci)(ci)禧(xi)(xi)皇太(tai)后御(yu)筆(bi)之(zhi)(zhi)寶“龍(long)(long)”、“虎”二(er)(er)字(zi)(zi)碑。碑寬0.42米,高(gao)0.80米,上圓下(xia)方,上方刻一(yi)方形篆(zhuan)體御(yu)印章,內為(wei)“慈(ci)(ci)禧(xi)(xi)皇太(tai)后御(yu)筆(bi)之(zhi)(zhi)寶”九(jiu)字(zi)(zi)。左額亦題“慈(ci)(ci)禧(xi)(xi)皇太(tai)后御(yu)筆(bi)之(zhi)(zhi)寶”九(jiu)字(zi)(zi),中刻草書“龍(long)(long)”“虎”二(er)(er)字(zi)(zi)一(yi)揮而就,字(zi)(zi)體瀟(xiao)灑剛勁(jing),一(yi)氣(qi)貫通。大座殿建(jian)筑于清同治年間,落(luo)成(cheng)于清光緒十(shi) 八年,當(dang)時正(zheng)是(shi)慈(ci)(ci)禧(xi)(xi)威權正(zheng)盛之(zhi)(zhi)時,任何人豈敢(gan)偽(wei)托其(qi)御(yu)筆(bi)之(zhi)(zhi)寶公開置于此(ci)矚目之(zhi)(zhi)處?由此(ci)足見此(ci)“龍(long)(long)”、“虎”二(er)(er)字(zi)(zi)確系(xi)慈(ci)(ci)禧(xi)(xi)御(yu)筆(bi)真跡無疑。作為(wei)民間商會(hui)(hui)建(jian)筑而能得(de)慈(ci)(ci)禧(xi)(xi)皇太(tai)后御(yu)筆(bi)之(zhi)(zhi)寶作為(wei)鎮殿之(zhi)(zhi)寶,在(zai)全(quan)(quan)(quan)國的會(hui)(hui)館(guan)(guan)建(jian)筑中可(ke)說是(shi)絕無僅有,當(dang)然成(cheng)為(wei)全(quan)(quan)(quan)國會(hui)(hui)館(guan)(guan)唯一(yi)之(zhi)(zhi)殊榮。
全國清代民間剌繡珍品之最
社(she)旗山陜會(hui)館(guan)館(guan)藏40余件清代(dai)剌繡珍(zhen)品(pin),其中5件被國(guo)家文(wen)物局確定為(wei)(wei)國(guo)保文(wen)物一(yi)級品(pin),并征調兩件遠赴瑞士(shi)、丹麥等國(guo)作為(wei)(wei)國(guo)保珍(zhen)品(pin)文(wen)物展出。為(wei)(wei)此稱之謂“全國(guo)清代(dai)民間剌繡品(pin)之最”亦當(dang)之無愧(kui)。
會館附屬建筑道坊院亦為全國會館之最
社旗山陜(shan)會(hui)館之(zhi)(zhi)附屬建(jian)(jian)筑(zhu)道坊院又名(ming)掖園(yuan)宮、接官(guan)廳,其(qi)建(jian)(jian)筑(zhu)風(feng)格融合北方(fang)四合院建(jian)(jian)筑(zhu)與南方(fang)民居(ju)與園(yuan)林建(jian)(jian)筑(zhu)風(feng)格與一(yi)體,系(xi)管(guan)理會(hui)館的(de)道士的(de)平時居(ju)住之(zhi)(zhi)地,亦為接待聯絡官(guan)府人員的(de)場所,是為會(hui)館作為民間商會(hui)與官(guan)府斡旋功能的(de)實物見(jian)證,具有(you)重要的(de)研(yan)究(jiu)價(jia)值,在全國(guo)現(xian)存會(hui)館類建(jian)(jian)筑(zhu)中獨此一(yi)家,堪稱“全國(guo)之(zhi)(zhi)最(zui)”。
商業道德規則碑可稱為全國之最
社(she)旗山(shan)(shan)(shan)陜(shan)(shan)(shan)會(hui)(hui)館(guan)現存碑(bei)(bei)(bei)刻共計(ji)九塊(kuai),其中有(you)關記(ji)述(shu)商(shang)(shang)(shang)業(ye)(ye)道(dao)(dao)德規(gui)則(ze)及(ji)(ji)(ji)會(hui)(hui)館(guan)興建活動(dong)的(de)碑(bei)(bei)(bei)刻計(ji)七塊(kuai),分別(bie)為(wei)(wei):初刻于(yu)(yu)清雍正二年(nian)(1725年(nian))重(zhong)刻于(yu)(yu)同(tong)治(zhi)元年(nian)的(de)《同(tong)行(xing)(xing)(xing)(xing)商(shang)(shang)(shang)賈公(gong)議(yi)戥秤(cheng)定規(gui)矩》碑(bei)(bei)(bei);立(li)于(yu)(yu)清乾隆五十年(nian)的(de)《公(gong)議(yi)雜貨(huo)行(xing)(xing)(xing)(xing)規(gui)》碑(bei)(bei)(bei)、立(li)于(yu)(yu)清道(dao)(dao)光(guang)二十三年(nian)的(de)《過(guo)載(zai)行(xing)(xing)(xing)(xing)差務》碑(bei)(bei)(bei)、以及(ji)(ji)(ji)記(ji)述(shu)山(shan)(shan)(shan)陜(shan)(shan)(shan)會(hui)(hui)館(guan)創(chuang)建活動(dong)及(ji)(ji)(ji)捐資及(ji)(ji)(ji)開(kai)支財務公(gong)示的(de)《創(chuang)建春秋(qiu)樓碑(bei)(bei)(bei)記(ji)》、《南(nan)陽賒旗鎮山(shan)(shan)(shan)陜(shan)(shan)(shan)會(hui)(hui)館(guan)鐵(tie)旗桿碑(bei)(bei)(bei)記(ji)》、《重(zhong)興山(shan)(shan)(shan)陜(shan)(shan)(shan)會(hui)(hui)館(guan)碑(bei)(bei)(bei)記(ji)》、《重(zhong)建山(shan)(shan)(shan)陜(shan)(shan)(shan)會(hui)(hui)館(guan)碑(bei)(bei)(bei)記(ji)》。前(qian)三塊(kuai)碑(bei)(bei)(bei)石對于(yu)(yu)研究清代賒店商(shang)(shang)(shang)業(ye)(ye)發展的(de)概況及(ji)(ji)(ji)商(shang)(shang)(shang)業(ye)(ye)行(xing)(xing)(xing)(xing)為(wei)(wei)的(de)規(gui)范提(ti)供了彌足珍貴的(de)佐證。其中《同(tong)行(xing)(xing)(xing)(xing)商(shang)(shang)(shang)賈公(gong)議(yi)戥秤(cheng)定規(gui)矩》碑(bei)(bei)(bei)對規(gui)范度量(liang)衡作(zuo)(zuo)出(chu)了嚴(yan)格(ge)的(de)規(gui)定;《公(gong)議(yi)雜貨(huo)行(xing)(xing)(xing)(xing)規(gui)》碑(bei)(bei)(bei)則(ze)以倡導誠信精(jing)神為(wei)(wei)核心,對各(ge)種商(shang)(shang)(shang)業(ye)(ye)行(xing)(xing)(xing)(xing)為(wei)(wei)做出(chu)多達十八(ba)項的(de)嚴(yan)格(ge)規(gui)定;《過(guo)載(zai)行(xing)(xing)(xing)(xing)差務碑(bei)(bei)(bei)》則(ze)對支應官府的(de)席片數(shu)量(liang)作(zuo)(zuo)出(chu)分解公(gong)示。這三塊(kuai)碑(bei)(bei)(bei)石也(ye)是我國現存會(hui)(hui)館(guan)類(lei)建筑(zhu)中所(suo)存最(zui)早也(ye)最(zui)為(wei)(wei)全面的(de)商(shang)(shang)(shang)業(ye)(ye)道(dao)(dao)德規(gui)則(ze)碑(bei)(bei)(bei)記(ji),堪(kan)稱為(wei)(wei)全國之最(zui)。