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山谷流泉摩崖石(shi)刻(ke),位于潛山縣城西北18里(li)的野寨(zhai)鄉境內(nei)。野寨(zhai)，漢代名谷口，是(shi)天(tian)柱山的門戶(hu)。

后名野人寨(zhai)(zhai)。相傳(chuan)有野人居此。南宋(song)末年時(shi)為(wei)義兵劉(liu)源抗(kang)元的(de)(de)山寨(zhai)(zhai)。山谷流泉(quan)，指的(de)(de)是(shi)位(wei)于谷寺(si)西側鳳凰麓的(de)(de)一條(tiao)山溪。它發源于及第庵的(de)(de)左山，曲折潛流六七里至鳳凰山下(xia)(xia)。這里石壁陡峭，松蘿叢覆(fu)，泉(quan)流其間，宛轉(zhuan)激(ji)回，終年不(bu)(bu)絕。上(shang)游(you)(you)因(yin)(yin)水聲潺潺，名曰潺潺溪。中(zhong)段因(yin)(yin)有巨(ju)石橫(heng)于溪間，狀似臥(wo)牛飲水，人稱(cheng)石牛溪。下(xia)(xia)游(you)(you)名稱(cheng)山谷流泉(quan)，自(zi)北而南逕入潛河(he)，在(zai)中(zhong)下(xia)(xia)游(you)(you)長達(da)1公(gong)里的(de)(de)山溪兩岸摩崖與溪間巨(ju)石上(shang)，有唐、宋(song)、元、明、清(qing)、民國歷代游(you)(you)客游(you)(you)覽山溪景物時(shi)刊刻的(de)(de)眾多文(wen)字題刻，書法紛呈，內容豐富(fu)，琳瑯滿目(mu)，美不(bu)(bu)勝收。經文(wen)物普查發現(xian)，此地雖迭經自(zi)然風化和(he)人為(wei)的(de)(de)損壞，目(mu)前仍尚有314處石刻清(qing)晰可見，是(shi)安徽(hui)省現(xian)存最集(ji)中(zhong)、保存也最為(wei)完好的(de)(de)摩巖石刻之(zhi)一。

歷史沿革

山谷(gu)流泉(quan)中(zhong)(zhong)的(de)3處年(nian)代(dai)最早的(de)石(shi)刻(ke)都(dou)是唐代(dai)的(de)，它們均(jun)分(fen)布在石(shi)牛(niu)古(gu)洞東壁懸崖上。其(qi)中(zhong)(zhong)2處是唐代(dai)著名散(san)文家(jia)，哲學(xue)家(jia)李(li)翱(ao)任(ren)舒(shu)(shu)州(zhou)刺(ci)史(shi)時游覽山谷(gu)的(de)題(ti)名。李(li)翱(ao)字(zi)習之，隴西(xi)成紀（今(jin)甘肅(su)秦安）人。貞元(yuan)進士，授校書(shu)(shu)郎，后任(ren)國事博士。元(yuan)和十五(wu)年(nian)以后任(ren)廬州(zhou)刺(ci)史(shi)、舒(shu)(shu)州(zhou)刺(ci)史(shi)，長慶(qing)二(er)年(nian)（822年(nian)）壬寅游石(shi)牛(niu)古(gu)洞。所(suo)刻(ke)題(ti)名為(wei)“翱(ao)炅磷盤求(qiu)壬寅年(nian)下元(yuan)日習之書(shu)(shu)”、“挎儲弘運上卿(qing)盤長慶(qing)二(er)年(nian)十月廿六日馀奉處交口(kou)”，均(jun)為(wei)真書(shu)(shu)，或橫排，或豎書(shu)(shu)直排。還有(you)一處唐代(dai)13人題(ti)名石(shi)刻(ke)，系舒(shu)(shu)州(zhou)刺(ci)史(shi)李(li)德修(xiu)于寶歷(li)二(er)年(nian)（826年(nian)）所(suo)刻(ke)。此(ci)刻(ke)楷書(shu)(shu)15行(xing)，上下豎書(shu)(shu)成行(xing)，字(zi)徑7厘米，書(shu)(shu)法遒勁(jing)渾厚。據《唐書(shu)(shu)》載：李(li)德修(xiu)于寶歷(li)時出任(ren)舒(shu)(shu)州(zhou)，后任(ren)尚書(shu)(shu)，為(wei)唐代(dai)著名的(de)文學(xue)家(jia)。

山谷(gu)(gu)流(liu)泉有兩宋(song)(song)題(ti)刻(ke)(ke)100多處，內容也極(ji)為(wei)豐(feng)富。這里不(bu)僅有安徽(hui)現存北宋(song)(song)最早(zao)的一(yi)塊(kuai)端拱二年（989年）趙孚、舒雅(ya)、黃夢錫題(ti)名；還有著名政治(zhi)家王(wang)安石的詩刻(ke)(ke)，書法家黃庭堅的題(ti)名，李師(shi)中的記事題(ti)刻(ke)(ke)，南宋(song)(song)張(zhang)同之的詩刻(ke)(ke)等等。有宋(song)(song)一(yi)代，慕(mu)名到山谷(gu)(gu)流(liu)泉來觀(guan)攬勝的游(you)客一(yi)直絡繹不(bu)絕，形(xing)成空(kong)前的刻(ke)(ke)石紀游(you)之風(feng)。

北(bei)宋皇(huang)?三(san)年(nian)(nian)（1051年(nian)(nian)），時任舒州(zhou)通判的(de)(de)王安石(shi)(shi)(shi)(shi)(shi)(shi)(shi)與弟(di)王安國(guo)游(you)(you)覽山(shan)(shan)谷(gu)，坐(zuo)(zuo)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)聽(ting)泉，寫詩(shi)(shi)以(yi)詠其勝。現存(cun)題(ti)(ti)名(ming)刻石(shi)(shi)(shi)(shi)(shi)(shi)(shi)文(wen)字(zi)為“皇(huang)?三(san)年(nian)(nian)九月十(shi)六日自泉州(zhou)之(zhi)太湖過寺(si)宿(su)，與道人(ren)文(wen)銑(xian)、弟(di)安國(guo)擁火游(you)(you)見李翱習(xi)(xi)之(zhi)書(shu)，坐(zuo)(zuo)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)聽(ting)泉久之(zhi)，復游(you)(you)，刻習(xi)(xi)之(zhi)書(shu)后，臨川王安石(shi)(shi)(shi)(shi)(shi)(shi)(shi)。”所賦(fu)六言詩(shi)(shi)為：“水無心而宛轉，山(shan)(shan)有(you)(you)色而環(huan)圍，窮(qiong)幽深而不盡(jin)，坐(zuo)(zuo)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)上(shang)以(yi)忘歸”。這位被譽為中(zhong)國(guo)11世紀(ji)的(de)(de)改(gai)革家的(de)(de)王安石(shi)(shi)(shi)(shi)(shi)(shi)(shi)，在掀起(qi)神宗變法大(da)潮(chao)之(zhi)前，居然有(you)(you)閑情逸致(zhi)，于(yu)此(ci)寧靜聽(ting)泉。這上(shang)物證的(de)(de)發現，當有(you)(you)助于(yu)人(ren)們研(yan)究他的(de)(de)思(si)想變化的(de)(de)歷程。北(bei)宋無豐三(san)年(nian)(nian)（1080年(nian)(nian)），著名(ming)書(shu)法家黃庭(ting)堅也曾至山(shan)(shan)谷(gu)攬(lan)勝。他在游(you)(you)覽了山(shan)(shan)谷(gu)寺(si)、石(shi)(shi)(shi)(shi)(shi)(shi)(shi)牛(niu)(niu)洞之(zhi)后，一(yi)連寫了《青牛(niu)(niu)篇(pian)》、《書(shu)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)牛(niu)(niu)溪(xi)大(da)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)上(shang)》、《題(ti)(ti)靈龜泉石(shi)(shi)(shi)(shi)(shi)(shi)(shi)上(shang)》、《題(ti)(ti)山(shan)(shan)谷(gu)大(da)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)》等詩(shi)(shi)文(wen)。他酷愛此(ci)地山(shan)(shan)水，因此(ci)自稱山(shan)(shan)谷(gu)道人(ren)。以(yi)曾坐(zuo)(zuo)在山(shan)(shan)溪(xi)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)牛(niu)(niu)上(shang)，讓大(da)畫(hua)家李公麟為之(zhi)畫(hua)像。在石(shi)(shi)(shi)(shi)(shi)(shi)(shi)牛(niu)(niu)洞東側懸崖頂端，尚存(cun)一(yi)處由(you)黃庭(ting)堅手(shou)書(shu)的(de)(de)楷(kai)書(shu)題(ti)(ti)名(ming)：“李參(can)、李秉夷(yi)、秉文(wen)、吳擇賓、丘(qiu)揖(yi)觀余(yu)書(shu)青牛(niu)(niu)篇(pian)，黃庭(ting)堅庚(geng)中(zhong)小寒”，書(shu)法工整穩健(jian)，筆鋒堅勁，波磔(zhe)分明，是傳(chuan)世稀少的(de)(de)黃氏(shi)真(zhen)跡，彌中(zhong)珍貴。

在(zai)唐代李(li)(li)德(de)修的(de)(de)(de)(de)題(ti)名下(xia)方(fang)，有一(yi)處記得于(yu)北(bei)宋熙(xi)寧四年(nian)(nian)（1701年(nian)(nian)）的(de)(de)(de)(de)“李(li)(li)師(shi)中(zhong)(zhong)(zhong)紀事石刻”。此刻作者李(li)(li)師(shi)中(zhong)(zhong)(zhong)，為李(li)(li)德(de)修的(de)(de)(de)(de)八世(shi)(shi)孫(sun)。似此祖(zu)(zu)、孫(sun)相距(ju)數百年(nian)(nian)同游一(yi)地，同刻一(yi)塊巖石的(de)(de)(de)(de)石刻極為罕見。“師(shi)中(zhong)(zhong)(zhong)十一(yi)世(shi)(shi)祖(zu)(zu)御史大夫諱棲筠，生(sheng)丞(cheng)相諱吉雨。丞(cheng)相生(sheng)尚(shang)書諱德(de)修。丞(cheng)相諱德(de)裕(yu)，尚(shang)書實師(shi)中(zhong)(zhong)(zhong)八世(shi)(shi)祖(zu)(zu)也。歷舒、湘(xiang)、楚三州刺史，題(ti)名在(zai)此巖谷。師(shi)中(zhong)(zhong)(zhong)不(bu)肖，忝備侍從。坐沮邊議，左(zuo)遷(qian)來(lai)守茲(zi)土。永惟世(shi)(shi)業，未墜于(yu)地。后世(shi)(shi)子孫(sun)，尚(shang)有來(lai)者。敢廢篆刻，式昭前人。熙(xi)寧四年(nian)(nian)十月二(er)十四日，孫(sun)尚(shang)書右司郎中(zhong)(zhong)(zhong)師(shi)中(zhong)(zhong)(zhong)記，弟純中(zhong)(zhong)(zhong)從。”這篇文字經(jing)與《宋史·李(li)(li)師(shi)中(zhong)(zhong)(zhong)傳》對照，所述家世(shi)(shi)、祖(zu)(zu)先(xian)完全吻(wen)合，是(shi)研(yan)究李(li)(li)氏家譜與有關歷史人物的(de)(de)(de)(de)珍貴史料。

元代以后，眾多游客(ke)蜂擁山(shan)(shan)(shan)谷，也留下大(da)(da)量(liang)的(de)(de)文(wen)字(zi)(zi)石(shi)(shi)刻(ke)(ke)(ke)。除了式照唐宋時(shi)的(de)(de)題名(ming)(ming)、題詩(shi)以外，在(zai)(zai)石(shi)(shi)刻(ke)(ke)(ke)文(wen)字(zi)(zi)的(de)(de)內容(rong)方面出(chu)現(xian)一些新(xin)的(de)(de)變(bian)(bian)化，比如出(chu)現(xian)了大(da)(da)量(liang)的(de)(de)用簡(jian)短詞語(yu)贊嘆(tan)山(shan)(shan)(shan)、洞(dong)、泉、石(shi)(shi)景(jing)色的(de)(de)特點。同時(shi)，石(shi)(shi)刻(ke)(ke)(ke)文(wen)字(zi)(zi)的(de)(de)體積增(zeng)大(da)(da)，字(zi)(zi)徑(jing)往(wang)往(wang)有(you)一、二尺之多，這都(dou)是(shi)過去(qu)所(suo)少見的(de)(de)。明代詩(shi)人(ren)、安慶知(zhi)府胡(hu)纘宗在(zai)(zai)石(shi)(shi)牛(niu)上大(da)(da)書(shu)(shu)“石(shi)(shi)牛(niu)”2字(zi)(zi)，并刊刻(ke)(ke)(ke)了《山(shan)(shan)(shan)谷寺》詩(shi)：“摩詩(shi)坐山(shan)(shan)(shan)谷，谷水(shui)身邊流(liu)(liu)，篆密龍(long)蛇動，潭空(kong)牛(niu)女游”，此(ci)詩(shi)十分(fen)形象地(di)描繪了石(shi)(shi)牛(niu)臨澗的(de)(de)景(jing)色，令人(ren)涌不絕(jue)口(kou)。胡(hu)纘宗還有(you)“山(shan)(shan)(shan)谷”大(da)(da)字(zi)(zi)題刻(ke)(ke)(ke)，字(zi)(zi)徑(jing)2尺。其它(ta)像(xiang)嘉靖時(shi)御史(shi)大(da)(da)夫李元陽、成(cheng)化時(shi)書(shu)(shu)法家(jia)袁慶祥等人(ren)的(de)(de)題名(ming)(ming)以及大(da)(da)量(liang)的(de)(de)“涪涪山(shan)(shan)(shan)谷”、“流(liu)(liu)云(yun)上流(liu)(liu)”、“天下奇觀”、“水(shui)光天色”、“龍(long)門”、“獨(du)醒處(chu)”、“安慶名(ming)(ming)山(shan)(shan)(shan)”、“幽(you)思(si)”等，都(dou)有(you)一定的(de)(de)歷史(shi)研究與欣賞價值(zhi)。從書(shu)(shu)法的(de)(de)角度(du)看，這里(li)的(de)(de)石(shi)(shi)刻(ke)(ke)(ke)包括有(you)隸書(shu)(shu)、楷(kai)書(shu)(shu)、草書(shu)(shu)、篆書(shu)(shu)、行(xing)書(shu)(shu)等多種，每種書(shu)(shu)體中又(you)富于變(bian)(bian)化，各具特色，基本(ben)上代表(biao)了唐代以來我國(guo)書(shu)(shu)法藝術發展演變(bian)(bian)的(de)(de)風貌，是(shi)一處(chu)珍貴的(de)(de)書(shu)(shu)法藝術寶庫。

平度縣天柱山摩崖刻石

天(tian)柱(zhu)山(shan)(shan)摩(mo)崖(ya)刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)平(ping)度縣北(bei)(bei)25公(gong)(gong)里處。山(shan)(shan)中除(chu)魏(wei)(wei)碑(bei)(bei)(bei)(bei)(bei)外，還有(you)東(dong)漢、東(dong)魏(wei)(wei)、北(bei)(bei)齊(qi)以(yi)(yi)及金、元(yuan)(yuan)等(deng)(deng)歷(li)代刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)，極堪觀賞。立在(zai)天(tian)柱(zhu)山(shan)(shan)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)陽(yang)的(de)鄭(zheng)(zheng)(zheng)文(wen)(wen)公(gong)(gong)碑(bei)(bei)(bei)(bei)(bei)，亦稱(cheng)(cheng)鄭(zheng)(zheng)(zheng)文(wen)(wen)公(gong)(gong)上(shang)碑(bei)(bei)(bei)(bei)(bei)，全稱(cheng)(cheng)“魏(wei)(wei)左中書(shu)(shu)令(ling)秘書(shu)(shu)監鄭(zheng)(zheng)(zheng)文(wen)(wen)公(gong)(gong)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)碑(bei)(bei)(bei)(bei)(bei)”。鄭(zheng)(zheng)(zheng)文(wen)(wen)公(gong)(gong)乃(nai)鄭(zheng)(zheng)(zheng)羲謚號。該碑(bei)(bei)(bei)(bei)(bei)傳(chuan)為鄭(zheng)(zheng)(zheng)羲之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)子一(yi)北(bei)(bei)魏(wei)(wei)光洲（洲志在(zai)現(xian)掖縣） 刺史(shi)鄭(zheng)(zheng)(zheng)道(dao)(dao)昭于(yu)水平(ping)四年（公(gong)(gong)元(yuan)(yuan)511年）所書(shu)(shu)鐫。其(qi)(qi)內容系(xi)為鄭(zheng)(zheng)(zheng)家歌功頌德，并記(ji)述了鄭(zheng)(zheng)(zheng)羲的(de)生平(ping)和(he)著述。碑(bei)(bei)(bei)(bei)(bei)由天(tian)然之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)碑(bei)(bei)(bei)(bei)(bei)狀(zhuang)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)于(yu)碑(bei)(bei)(bei)(bei)(bei)陽(yang)面稍加琢磨(mo)而(er)成， 碑(bei)(bei)(bei)(bei)(bei)高(gao)3、20米，寬(kuan)、5米，文(wen)(wen)19行，計(ji)(ji)880余字(zi)。其(qi)(qi)碑(bei)(bei)(bei)(bei)(bei)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)書(shu)(shu)法，結(jie)字(zi)寬(kuan)情，筆力(li)雄健，具(ju)篆分(fen)遺意，清(qing)包(bao)世(shi)臣(chen)贊其(qi)(qi)“有(you)海(hai)鷗云鶴之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)致”，并說：“北(bei)(bei)碑(bei)(bei)(bei)(bei)(bei)體多(duo)榜出(chu)，〈〈鄭(zheng)(zheng)(zheng)文(wen)(wen)公(gong)(gong)碑(bei)(bei)(bei)(bei)(bei)〉〉字(zi)獨真(zhen)正(zheng)，而(er)篆勢(shi)、分(fen)韻、草情畢具(ju)......真(zhen)文(wen)(wen)苑奇珍也(ye)”葉(xie)昌熾則贊其(qi)(qi)“唐初歐、虞、褚、薛楮(chu)家皆在(zai)籠罩之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)內，不獨北(bei)(bei)朝書(shu)(shu)第一(yi)，自有(you)真(zhen)書(shu)(shu)以(yi)(yi)來(lai)一(yi)人而(er)已”。山(shan)(shan)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)東(dong)北(bei)(bei)，有(you)一(yi)自然形成的(de)高(gao)大(da)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)孔(kong)，俗(su)稱(cheng)(cheng)“石(shi)(shi)(shi)(shi)(shi)(shi)(shi)室(shi)”，北(bei)(bei)宋北(bei)(bei)壁亦鐫有(you)鄭(zheng)(zheng)(zheng)道(dao)(dao)照所撰書(shu)(shu)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)〈〈石(shi)(shi)(shi)(shi)(shi)(shi)(shi)室(shi)銘〉 〉，計(ji)(ji)150字(zi)，此銘既大(da)有(you)風采(cai)，又(you)書(shu)(shu)寫得(de) 婉麗(li)飛動，饒有(you)天(tian)趣(qu)，寥寥數(shu)語，把天(tian)柱(zhu)山(shan)(shan)“石(shi)(shi)(shi)(shi)(shi)(shi)(shi)室(shi)”描繪得(de)絢麗(li)斑爛，令(ling)人神往。 由石(shi)(shi)(shi)(shi)(shi)(shi)(shi)室(shi)西行， 經(jing)鄭(zheng)(zheng)(zheng)道(dao)(dao)昭“此天(tian)柱(zhu)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)山(shan)(shan)”5個(ge)大(da)字(zi)的(de)又(you)一(yi)題(ti)刻(ke)(ke)處，爬上(shang)主(zhu)峰，只見(jian)天(tian)柱(zhu)山(shan)(shan)、西云峰兩山(shan)(shan)東(dong)西對峙的(de)峽(xia)口西壁，亦有(you)鄭(zheng)(zheng)(zheng)道(dao)(dao)昭之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)提刻(ke)(ke)，文(wen)(wen)為“滎(ying)陽(yang)鄭(zheng)(zheng)(zheng)道(dao)(dao)昭上(shang)游天(tian)柱(zhu)下息(xi)云峰” ，字(zi)體較(jiao)大(da)，石(shi)(shi)(shi)(shi)(shi)(shi)(shi)質又(you)好(hao)，雖經(jing)1400余年的(de)風雨剝蝕，依(yi)然如故；寥寥十(shi)余字(zi)，仍可見(jian)鄭(zheng)(zheng)(zheng)書(shu)(shu)健之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)筆意。 《天(tian)柱(zhu)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)殘刻(ke)(ke)》以(yi)(yi)及座落(luo)在(zai)天(tian)柱(zhu)山(shan)(shan)西麓劈(pi)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)門處的(de)《天(tian)柱(zhu)山(shan)(shan)銘》，均系(xi)隸(li)書(shu)(shu)，傳(chuan)為鄭(zheng)(zheng)(zheng)道(dao)(dao)昭之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)子------北(bei)(bei)齊(qi)光州刺史(shi)鄭(zheng)(zheng)(zheng)述祖于(yu)天(tian)統元(yuan)(yuan)年（公(gong)(gong)元(yuan)(yuan)565年） 所書(shu)(shu)鐫《殘刻(ke)(ke)》書(shu)(shu)法工(gong)整精細，端正(zheng)而(er)不板滯(zhi)；《天(tian)柱(zhu)山(shan)(shan)銘》字(zi)體厚重古(gu)樸，有(you)漢魏(wei)(wei)規范。 《天(tian)柱(zhu)山(shan)(shan)銘》之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)東(dong)，有(you)一(yi)東(dong)魏(wei)(wei)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)窟(ku)。窟(ku)內壁除(chu)有(you)東(dong)魏(wei)(wei)《姚保顯造(zao)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)塔(ta)記(ji)》外，還有(you)數(shu)十(shi)尊(zun)浮屠(tu)造(zao)像， 因年久磨(mo)損， 浮屠(tu)還算(suan)清(qing)晰，《造(zao)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)塔(ta)記(ji)》已多(duo)模糊難認，但“武定六年”（公(gong)(gong)元(yuan)(yuan)548年）等(deng)(deng)字(zi)，尚清(qing)晰可辯。 新近發現(xian)的(de)東(dong)漢《中平(ping)三年刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)》，為漢隸(li)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)精品，漢隸(li)摩(mo)崖(ya)者，為之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)少(shao)見(jian)，故愈加珍貴，為我國(guo)書(shu)(shu)法刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)藝術(shu)中的(de)瑰寶，故天(tian)柱(zhu)山(shan)(shan)摩(mo)崖(ya)刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)(shi)被列為國(guo)家級重點文(wen)(wen)物保護(hu)單位(wei)單位(wei)。