簡介
綦江農民(min)(min)(min)(min)版(ban)畫源于(yu)明清(qing)年(nian)(nian)間(jian)的(de)(de)木(mu)板年(nian)(nian)畫,作(zuo)品取(qu)材于(yu)廣大(da)農民(min)(min)(min)(min)群眾的(de)(de)生產生活(huo)實踐,表(biao)現(xian)手(shou)法(fa)在簡單(dan)傳授繪畫技法(fa)的(de)(de)基礎(chu)上,大(da)量吸收了當地民(min)(min)(min)(min)族(zu)(zu)民(min)(min)(min)(min)間(jian)美術(shu)技法(fa),諸如在民(min)(min)(min)(min)間(jian)廣為(wei)流傳的(de)(de)木(mu)雕、石刻、布(bu)貼、挑花(hua)、木(mu)板年(nian)(nian)畫、剪紙(zhi)、藍印花(hua)布(bu)等表(biao)現(xian)手(shou)法(fa),具有(you)濃郁的(de)(de)民(min)(min)(min)(min)族(zu)(zu)民(min)(min)(min)(min)間(jian)風情和生活(huo)氣息。作(zuo)品突現(xian)出古樸稚拙,夸張浪漫的(de)(de)藝術(shu)效(xiao)果(guo),具有(you)較高(gao)的(de)(de)藝術(shu)價(jia)值。
綦(qi)(qi)江(jiang)農民(min)(min)版(ban)畫(hua)(hua)崛起(qi)于20世紀(ji)八十年(nian)代(dai),新(xin)時期(qi)的(de)(de)(de)農民(min)(min)版(ban)畫(hua)(hua)以民(min)(min)間美術的(de)(de)(de)畫(hua)(hua)面構成、人物造(zao)型、表現手法、色彩(cai)運用等藝術語言作(zuo)為(wei)養料(liao),吸收、消化并注(zhu)入(ru)了新(xin)的(de)(de)(de)繪畫(hua)(hua)元(yuan)素(su),在不斷的(de)(de)(de)探索、選擇創造(zao)中,農民(min)(min)版(ban)畫(hua)(hua)獲得了更大的(de)(de)(de)成功。這(zhe)個時期(qi)也是(shi)綦(qi)(qi)江(jiang)農民(min)(min)版(ban)畫(hua)(hua)歷史(shi)上第一(yi)個鼎盛時期(qi)。 1985年(nian),四川省文(wen)化廳(ting)、省美術家(jia)協會、重慶市政(zheng)府授予綦(qi)(qi)江(jiang)縣(xian)“農民(min)(min)版(ban)畫(hua)(hua)之鄉”的(de)(de)(de)稱(cheng)號;1988年(nian)2月(yue),中國(guo)(guo)文(wen)化部將綦(qi)(qi)江(jiang)縣(xian)命(ming)名(ming)為(wei)“中國(guo)(guo)現代(dai)民(min)(min)間繪畫(hua)(hua)畫(hua)(hua)鄉”。
21世(shi)紀(ji)的(de)(de)今天(tian),綦江(jiang)農(nong)民版(ban)(ban)畫(hua)推陳(chen)出(chu)新,新一(yi)代(dai)的(de)(de)農(nong)民版(ban)(ban)畫(hua)作者茁壯成長,為農(nong)民版(ban)(ban)畫(hua)的(de)(de)發(fa)展推波(bo)助瀾,使古老的(de)(de)民間(jian)藝術煥發(fa)出(chu)新的(de)(de)生命(ming)力。從個體農(nong)民版(ban)(ban)畫(hua)工作室(shi)到成立綦江(jiang)農(nong)民版(ban)(ban)畫(hua)院,從草根文(wen)華到成為重慶市(shi)對外文(wen)化交流名片,在兩代(dai)農(nong)民版(ban)(ban)畫(hua)作者的(de)(de)共同努(nu)力下,綦江(jiang)農(nong)民版(ban)(ban)畫(hua)蓬勃發(fa)展。
藝術特色
地(di)處“渝南門戶”的綦(qi)(qi)江(jiang),古稱南州。這里(li)山(shan)川(chuan)秀(xiu)美(mei),景觀眾多,歷(li)史文(wen)化積淀豐厚。漢族、苗族、彝族、土家(jia)族等(deng)16個民(min)(min)(min)族聚居在這里(li),使這里(li)的民(min)(min)(min)風民(min)(min)(min)俗具有濃(nong)郁(yu)的民(min)(min)(min)族特(te)色(se)。綦(qi)(qi)江(jiang)農民(min)(min)(min)版(ban)畫是中(zhong)國(guo)民(min)(min)(min)間民(min)(min)(min)族藝術的一朵奇葩,受到(dao)國(guo)內外美(mei)術界(jie)的高度(du)贊譽。
它(ta)將石(shi)(shi)刻(ke)、木雕、泥塑、剪紙(zhi)(zhi)、挑花(hua)(hua)刺繡、蠟(la)(la)染等(deng)古老的民(min)間工藝融(rong)入版(ban)畫(hua)之中,使版(ban)畫(hua)藝術充(chong)滿了生動(dong)、活潑、亮(liang)麗(li)、質(zhi)樸(pu)、稚(zhi)拙、幽默等(deng)特點;并將藍印花(hua)(hua)布(bu)、扎染、蠟(la)(la)染、木雕、木板年畫(hua)、石(shi)(shi)刻(ke)、剪紙(zhi)(zhi)、挑花(hua)(hua)、刺繡等(deng)傳統民(min)間藝術形式兼(jian)收并蓄(xu),更(geng)顯底蘊深厚。
綦江(jiang)農(nong)(nong)民(min)版畫(hua)(hua)(hua)(hua)源于明(ming)(ming)清(qing)年(nian)間(jian)的(de)(de)木板年(nian)畫(hua)(hua)(hua)(hua),是(shi)一種用刀子先在(zai)(zai)木板上雕刻出圖(tu)畫(hua)(hua)(hua)(hua),再采用人工拓印而成的(de)(de)純手工之(zhi)作(zuo)(zuo),作(zuo)(zuo)品構圖(tu)明(ming)(ming)快,色彩(cai)(cai)艷(yan)麗,大(da)都取(qu)材于廣(guang)大(da)農(nong)(nong)民(min)群眾(zhong)的(de)(de)生產(chan)生活實(shi)踐(jian),具(ju)有濃郁的(de)(de)民(min)族(zu)民(min)間(jian)風情(qing)(qing)(qing)和生活氣息,是(shi)巴渝傳(chuan)統民(min)間(jian)藝術的(de)(de)特(te)色代表(biao)。表(biao)現(xian)手法是(shi)在(zai)(zai)簡單傳(chuan)授繪畫(hua)(hua)(hua)(hua)技法的(de)(de)基礎上大(da)量吸收了(le)當地民(min)族(zu)民(min)間(jian)美(mei)術技法,諸如在(zai)(zai)民(min)間(jian)廣(guang)為流(liu)傳(chuan)的(de)(de)木雕、石刻、布貼、挑花、木板年(nian)畫(hua)(hua)(hua)(hua)、剪紙、藍印花布等(deng)表(biao)現(xian)手法,使(shi)其(qi)呈現(xian)出古樸稚(zhi)拙(zhuo)、夸(kua)張浪(lang)漫的(de)(de)藝術效果。 綦江(jiang)農(nong)(nong)民(min)版畫(hua)(hua)(hua)(hua)不(bu)但(dan)具(ju)有幽(you)默、稚(zhi)拙(zhuo)的(de)(de)情(qing)(qing)(qing)趣(qu)和熱情(qing)(qing)(qing)、奔放、誠摯的(de)(de)元素,而且還具(ju)有鮮(xian)明(ming)(ming)的(de)(de)個性特(te)征和濃厚的(de)(de)鄉土氣息。它(ta)與傳(chuan)統中(zhong)國畫(hua)(hua)(hua)(hua)創(chuang)(chuang)作(zuo)(zuo)論所(suo)主張的(de)(de)意境創(chuang)(chuang)造,氣韻貫通,色彩(cai)(cai)主觀意向等(deng)要(yao)素一脈(mo)相承。它(ta)摒棄寫實(shi)主義,既非(fei)“天馬行空”,漫無(wu)邊(bian)際,又非(fei)隨心所(suo)欲,雖(sui)說沒有既定的(de)(de)技法,但(dan)絕不(bu)矯揉造作(zuo)(zuo)。色彩(cai)(cai)構成自然大(da)方,意到筆(bi)到情(qing)(qing)(qing)到,伴著創(chuang)(chuang)作(zuo)(zuo)者(zhe)強烈(lie)的(de)(de)情(qing)(qing)(qing)感(gan),把(ba)創(chuang)(chuang)作(zuo)(zuo)者(zhe)對生活的(de)(de)認識和熱愛主觀地融進(jin)畫(hua)(hua)(hua)(hua)中(zhong),情(qing)(qing)(qing)到深處畫(hua)(hua)(hua)(hua)面生姿,意趣(qu)盎(ang)然。
版畫發展
綦(qi)江農(nong)民版(ban)(ban)畫(hua)崛起于20世紀(ji)80年(nian)代,新(xin)時期(qi)(qi)的(de)農(nong)民版(ban)(ban)畫(hua)以(yi)民間(jian)美術的(de)畫(hua)面構成(cheng)、人物造型(xing)、表(biao)現手法、色彩運用(yong)等(deng)藝術語言作為養料,吸收(shou)、消化(hua)并(bing)注入(ru)了(le)新(xin)的(de)繪畫(hua)元素,在(zai)不斷(duan)的(de)探索、選擇創造中(zhong)(zhong),綦(qi)江農(nong)民版(ban)(ban)畫(hua)獲得了(le)更大的(de)成(cheng)功。這一古老的(de)民間(jian)藝術煥發出了(le)新(xin)的(de)生(sheng)(sheng)命力,而這個時期(qi)(qi)也是綦(qi)江農(nong)民版(ban)(ban)畫(hua)歷史上第一個鼎盛時期(qi)(qi)。 目(mu)前(qian),在(zai)社會主義新(xin)農(nong)村建設中(zhong)(zhong),農(nong)民版(ban)(ban)畫(hua)家(jia)們又開始了(le)貼近生(sheng)(sheng)活的(de)創作,《公路(lu)開到家(jia)門口(kou)》、《廣播(bo)電視(shi)村村通》、《文(wen)化(hua)下(xia)鄉(xiang)》、《醫(yi)療衛生(sheng)(sheng)下(xia)鄉(xiang)》等(deng)反映(ying)農(nong)村鄉(xiang)風文(wen)明、物質文(wen)明的(de)版(ban)(ban)畫(hua)作品,再次受(shou)到文(wen)化(hua)藝術界的(de)關注:這些畫(hua)作就是一部(bu)反映(ying)新(xin)時期(qi)(qi)農(nong)村經濟社會發展、人民物質文(wen)化(hua)生(sheng)(sheng)活水平(ping)不斷(duan)提高(gao)的(de)紀(ji)錄片,也是中(zhong)(zhong)國西部(bu)農(nong)民生(sheng)(sheng)活的(de)真實(shi)寫照(zhao)。
充滿鄉(xiang)土鄉(xiang)音的(de)綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua),歷經春秋(qiu),長盛不衰 。上個(ge)世(shi)紀八十(shi)年(nian)(nian)(nian)(nian)代,綦(qi)(qi)江(jiang)人(ren)(ren)(ren)在(zai)傳承木板年(nian)(nian)(nian)(nian)畫(hua)(hua)(hua)(hua)(hua)(hua)的(de)基礎上,為(wei)(wei)(wei)這門古老(lao)的(de)藝術(shu)(shu)(shu)賦予了更加深厚的(de)內(nei)涵和藝術(shu)(shu)(shu)語言。"老(lao)樹綻開新(xin)花(hua)",綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)煥發出新(xin)的(de)活力。在(zai)重慶市(shi)(shi)美術(shu)(shu)(shu)家(jia)(jia)協會主(zhu)席牛文(wen),重慶市(shi)(shi)美術(shu)(shu)(shu)家(jia)(jia)協會常(chang)務副主(zhu)席兼重慶市(shi)(shi)民(min)間(jian)(jian)美術(shu)(shu)(shu)展(zhan)(zhan)(zhan)覽辦公室(shi)主(zhu)任朱(zhu)宣(xuan)咸等(deng)(deng)著名(ming)美術(shu)(shu)(shu)家(jia)(jia)親臨指導與大力支(zhi)持下,1983年(nian)(nian)(nian)(nian)12月(yue)9日(ri)(ri),"綦(qi)(qi)江(jiang)縣農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)展(zhan)(zhan)(zhan)"在(zai)重慶夫(fu)子池展(zhan)(zhan)(zhan)出并獲得成功后(hou)(hou),1984年(nian)(nian)(nian)(nian)1月(yue)在(zai)北京中(zhong)國美術(shu)(shu)(shu)館(guan)隆重展(zhan)(zhan)(zhan)出。隨(sui)后(hou)(hou)在(zai)全國十(shi)八個(ge)城市(shi)(shi)展(zhan)(zhan)(zhan)出,還(huan)漂洋過海,在(zai)日(ri)(ri)、美、英(ying)、加拿大、瑞(rui)士、挪威(wei)等(deng)(deng)14個(ge)國家(jia)(jia)和地(di)區(qu)展(zhan)(zhan)(zhan)出,所(suo)到之處深受喜愛,被國內(nei)外(wai)博物館(guan)廣(guang)為(wei)(wei)(wei)收藏。今(jin)天,中(zhong)國美術(shu)(shu)(shu)館(guan)已經收藏70多幅綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua);榮獲了國家(jia)(jia)級獎勵(li)80多幅/次,省市(shi)(shi)級獎勵(li)近100幅/次,綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)被美術(shu)(shu)(shu)界(jie)稱為(wei)(wei)(wei)"中(zhong)國的(de)現代派(pai)";四(si)川(chuan)省文(wen)化(hua)廳(ting)、四(si)川(chuan)省美術(shu)(shu)(shu)家(jia)(jia)協會、重慶市(shi)(shi)人(ren)(ren)(ren)民(min)政(zheng)府(fu)、重慶市(shi)(shi)文(wen)化(hua)局先(xian)后(hou)(hou)授予綦(qi)(qi)江(jiang)縣 "農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)之鄉(xiang)"的(de)榮譽稱號;1988年(nian)(nian)(nian)(nian),國家(jia)(jia)文(wen)化(hua)部正(zheng)式命名(ming)綦(qi)(qi)江(jiang)縣為(wei)(wei)(wei)"中(zhong)國現代民(min)間(jian)(jian)繪畫(hua)(hua)(hua)(hua)(hua)(hua)畫(hua)(hua)(hua)(hua)(hua)(hua)鄉(xiang)"。日(ri)(ri)本日(ri)(ri)中(zhong)藝術(shu)(shu)(shu)研究會為(wei)(wei)(wei)表彰綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)取得的(de)成就,派(pai)人(ren)(ren)(ren)專(zhuan)(zhuan)程從日(ri)(ri)本赴綦(qi)(qi)江(jiang)贈送了三(san)座(zuo)金杯。中(zhong)央(yang)電視臺(tai)(tai)《走遍中(zhong)國》、新(xin)華社、中(zhong)國文(wen)化(hua)報(bao)等(deng)(deng)國家(jia)(jia)級媒(mei)體(ti)專(zhuan)(zhuan)題介紹了綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)。重慶日(ri)(ri)報(bao)、重慶電視臺(tai)(tai)和廣(guang)西(xi)電視臺(tai)(tai)等(deng)(deng)主(zhu)流媒(mei)體(ti)多次專(zhuan)(zhuan)題宣(xuan)傳綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)。法國《圖盧茲報(bao)》、美國黃河電視臺(tai)(tai)和日(ri)(ri)本《版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)世(shi)界(jie)》雜志(zhi)等(deng)(deng)國外(wai)媒(mei)體(ti)也(ye)紛紛報(bao)道綦(qi)(qi)江(jiang)農(nong)(nong)(nong)民(min)版(ban)畫(hua)(hua)(hua)(hua)(hua)(hua)。
2001年7月,綦(qi)(qi)江(jiang)農民(min)(min)版(ban)(ban)畫(hua)(hua)(hua)院成立,標志著(zhu)農民(min)(min)版(ban)(ban)畫(hua)(hua)(hua)的發(fa)展踏上了新(xin)的里程。在市場經濟(ji)體制下,綦(qi)(qi)江(jiang)農民(min)(min)版(ban)(ban)畫(hua)(hua)(hua)創作正在不(bu)斷加快發(fa)展建設,在繼承傳統的基礎上,為版(ban)(ban)畫(hua)(hua)(hua)注入(ru)了新(xin)的時代語言。它正以其獨(du)特的民(min)(min)間藝(yi)術(shu)風(feng)格(ge),進一步反映(ying)出建設社會主義新(xin)農村的時代風(feng)貌。
2004年(nian)12月1日,由市政(zheng)府副秘書長余(yu)恢(hui)毅主持召(zhao)開了"關于加快(kuai)綦江農民(min)版畫(hua)產業發展(zhan)有關問題"的專(zhuan)題會議(yi),并專(zhuan)門下發了市政(zheng)府專(zhuan)題會議(yi)紀要。